Summary

Portrait of Rose Macaulay Rose Macaulay Potterism: A Tragi-Farcical Tract

No good scientist could conceivably be a Potterite, because he's concerned with truth, and the kind of truth, too, that it's difficult to arrive at. Potterism is all for short and easy cuts and showy results. Science has to work its way step by step, and then hasn't much to show for it. It isn't greedy. Potterism plays a game of grab all the time—snatches at success in a hurry.... It's greedy,' repeated Gideon, thinking it out, watching Jane's firm little sun-browned hand with its short square fingers rooting in the sand for shells.
Source: Gutenberg

Portrait of Rose Macaulay Rose Macaulay Potterism: A Tragi-Farcical Tract

Jane's dark hair fell in damp waves over her hot, square, white forehead; her blue cotton dress was crumpled and limp. How neat, how cool, was this Hobart! Could a man have a Gibson face like that, like a young man on the cover of an illustrated magazine, and not be a ninny? Did he take the Pinkerton press seriously, or did he laugh? Both, probably, like most journalists. He wouldn't laugh to Lord Pinkerton, or to Lady Pinkerton, or to Clare. But he might laugh to Jane, when she showed him he might.
Source: Gutenberg

Portrait of Rose Macaulay Rose Macaulay Potterism: A Tragi-Farcical Tract

TOLD BY LEILA YORKE CHAPTER I THE TERRIBLE TRAGEDY ON THE STAIRS 1
Love and truth are the only things that count. I have often thought that they are like two rafts on the stormy sea of life, which otherwise would swamp and drown us struggling human beings. If we follow these two stars patiently, they will guide us at last into port. Love—the love of our kind—the undying love of a mother for her children—the love, so gloriously exhibited lately, of a soldier for his country—the eternal love between a man and a woman, which counts the world well lost—these are the clues through the wilderness.
Source: Gutenberg

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