Summary

Samuel Butler,  Essays on Life, Art and Science

“ She, too, like the Virgin’s grandmother, is a widow lady, and wears collars of a cut that seems to have prevailed ever since the Virgin was born some twenty years previously. There is a largeness and simplicity of treatment about the figure to which none but an artist of the highest rank can reach, and D’Enrico was not more than a second or third-rate man. The hood is like Handel’s Truth sailing upon the broad wings of Time, a prophetic strain that nothing but the old experience of a great poet can reach. ”
Source: Gutenberg

Samuel Butler,  Essays on Life, Art and Science

“ And so is it, according to the older view of evolution, with the development of those living organs, or machines, that are born with us, as part of the perambulating carpenter’s chest we call our bodies. The older view gives us our design, and gives us our evolution too. If it refuses to see a quasi-anthropomorphic God modelling each species from without as a potter models clay, it gives us God as vivifying and indwelling in all His creatures—He in them, and they in Him. If it refuses to see God outside the universe, it equally refuses to see any part of the universe as outside God. ”
Source: Gutenberg

Samuel Butler,  Essays on Life, Art and Science

“ Sometimes I have asked myself whether the Church does not intend to suggest that the whole story falls outside the domain of history, and is to be held as the one great epos, or myth, common to all mankind; adaptable by each nation according to its own several needs; translatable, so to speak, into the facts of each individual nation, as the written word is translatable into its language, but appertaining to the realm of the imagination rather than to that of the understanding, and precious for spiritual rather than literal truths. ”
Source: Gutenberg

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