Summary

Portrait of Samuel Johnson Samuel Johnson Lives of the English Poets : Prior…

How could he despise those whom he lived by pleasing, and on whose approbation his esteem of himself was superstructed? Why should he hate those to whose favour he owed his honour and his ease? Of things that terminate in human life, the world is the proper judge: to despise its sentence, if it were possible, is not just; and if it were just, is not possible. Pope was far enough from this unreasonable temper; he was sufficiently a fool to fame, and his fault was that he pretended to neglect it. His levity and his sullenness were only in his letters
Source: Gutenberg

Portrait of Samuel Johnson Samuel Johnson Lives of the English Poets : Prior…

The end of an epitaph is to convey some account of the dead; and to what purpose is anything told of him whose name is concealed? An epitaph, and a history of a nameless hero, are equally absurd, since the virtues and qualities so recounted in either are scattered at the mercy of fortune to be appropriated by guess. The name, it is true, may be read upon the stone; but what obligation has it to the poet, whose verses wander over the earth and leave their subject behind them, and who is forced, like an unskilful painter, to make his purpose known by adventitious help?
Source: Gutenberg

Portrait of Samuel Johnson Samuel Johnson Lives of the English Poets : Prior…

The writer commonly believes himself. Almost every man’s thoughts, while they are general, are right; and most hearts are pure while temptation is away. It is easy to awaken generous sentiments in privacy; to despise death when there is no danger; to glow with benevolence when there is nothing to be given. While such ideas are formed they are felt; and self-love does not suspect the gleam of virtue to be the meteor of fancy.
If the Letters of Pope are considered merely as compositions, they seem to be premeditated and artificial.
Source: Gutenberg

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