Sterling Heilig

Summary

Sterling Heilig McClure's Magazine (1902)

Those who could still observe him through opera-glasses from the heights of Monaco Town and Monte Carlo, observed him turn abruptly and start back on the homestretch. Now he had the wind with him. To those watching from the heights the airship increased in size every moment, bearing down upon them with the swiftness of an eagle. In an incredibly short space of time the grumbling of the motor could be heard, louder and louder, until it grew into the familiar thunder-spitting, and, amid a thousand cheers, the balloon entered the Bay of Monaco again.
Source: Wikisource

Sterling Heilig McClure's Magazine (1902)

The motor was already spitting and snapping amid its steady thunder-growl. On the instant the power was transferred to the propeller, its first revolutions sent the gently rising airship into the air as if it had received a mighty push from behind. Gathering force, it sped still obliquely upward, until, with a single masterly movement, the air-navigator was seen to shift his weights and bring his system to a level, onward course.
Source: Wikisource

Sterling Heilig McClure's Magazine (1902)

It had to be solidly constructed not to risk the fate of the all-wood Aërodrome of Toulon, which was twice all but carried away by tempests. Its risky form—almost that of a balloon itself—seemed to invite sea squalls to lift it. Its sensational features are its doors. Tourists never tire of telling each other that these doors are the greatest ever made, in modern times or in antiquity. They slide above on wheels hanging from an iron construction that extends from the façade on each side, and below on wheels that roll over a rail.
Source: Wikisource

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