Summary

T. A. Jenkins The Lady and Her Horse

The rudiments of the art being once known, when on the road, no more of it is to be applied, than will, with the greatest ease, facilitate our designs. When nothing more is required of the horse, than to perform the natural paces, he will walk, trot, and gallop with the greatest freedom. The rider participates in the like ease, or unrestrained liberty, but this ease or inattention, is not to suffer unseemly habits to take place, such as the back and shoulders to get round, the head to shake, the leg to dangle, and beat against the horse’s side.
Source: Gutenberg

T. A. Jenkins The Lady and Her Horse

When a horse is ridden on a snaffle, he only feels the direct pull more or less of the rider’s hand, with a curb-bit in his mouth the effect is different, and more powerful, on account of the lever which tightens the curb-chain on the horse’s jaw. A curb in a rough and uneven hand, becomes an instrument of extreme torture; the hand should always be firm, but delicate, the horse’s mouth should never be surprised, by any sudden transition of the bearing from tight to slack, or from slack to tight, every thing in horsemanship should be effected by degrees.
Source: Gutenberg

T. A. Jenkins The Lady and Her Horse

Holding the horse’s head with the snaffle, with a firm but delicate hand, straight to his jump, she brings him up at an animated pace. As he springs, she must slightly yield the reins, as he descends, she must incline her body backwards pressing her left leg firmly to the third crutch, and looking straight to her front, she will retain her seat and balance immoveably; she then resumes the tension of the reins; and the moment the horse touches the ground, she should be prepared to use her whip if necessary, to induce the horse to collect himself, to prevent him from stumbling or falling.
Source: Gutenberg

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