Theodore Hoe Mead

Summary

Theodore Hoe Mead Horsemanship for Women (1887)

If you observe that the step of one foot is shorter than that of the other, making the horse appear lame, you may be almost sure you have fallen into the too common feminine practice of bearing too much of your weight on one side. An even balance in the saddle is of capital importance, and a rough-and-ready test is to observe whether the buttons of your habit are in the same plane as the horse's backbone, and your shoulders nearly equidistant from his ears—points of which you can judge as well as any one.
Source: Wikisource

Theodore Hoe Mead Horsemanship for Women (1887)

Possibly more than one young equestrian, remembering the exhilaration of some morning ride, the quickened appreciation, the redoubled enjoyment of the beauties of nature, and of the charm of congenial companionship, will be ready to echo the sentiment. It is only true, however, even approximately, when the rider controls all the forces of the horse, and it is the object of the present article to put this perfect control within the reach of every one willing to take the time and trouble to acquire it, for not daring, but calmness, not strength, but perseverance, are the qualities requisite.
Source: Wikisource

Theodore Hoe Mead Horsemanship for Women (1887)

The horse, accustomed to the resistance of a heavy vehicle, moves forward with slow and heavy strides. Urged to greater speed, he rolls his shoulders so that it is almost impossible to rise to his trot. When put to the canter he pounds along the road, his hind-feet kept far in the rear and his head swaying up and down, while, missing the customary support of the bearing-rein, he all the time leans his heavy head on his rider's delicate arm, till it seems as if she would be pulled out of the saddle.
Source: Wikisource

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