Summary

The Borzoi 1920: Being a sort of record of five years' publishing

In English lyrical poetry alone, and that, except for John Masefield, the beauty of yesterday and not today, have the settings of life been so beautifully refashioned. An ability of long habited lands; for its power is not in described nature, but the love of a particular soil—feathery bamboo at the door, a hollow of daffodils, are symbols not so much of recurrent seasons as of a deep-rooted passionate attachment for the city of Lo-yang or for the Devon sod. Without sincerity of human emotion words are no better than broken coloured glass.
Source: Gutenberg

The Borzoi 1920: Being a sort of record of five years' publishing

My sight is either jaundiced or clairvoyant: which, I leave the reader to decide.
Strip life of its color, mystery, infinitude; make it stale, make it grey, make it flat; rob the human being of his aura, deny him speech, quicken his movements into galvanic action; people a glaring parallelogram with these gigantic simulacra of men and women moved by sub-human motives; drug the tormented nerves with music, so that the audience shall not go mad—this is the movie as it is to me.
Source: Gutenberg

The Borzoi 1920: Being a sort of record of five years' publishing

Literature is the heart of the world, winged with all its joys and sorrows, with all the dreams and hopes of men, with their despair and wrath, with their reverence before the beauty of nature, their fears in face of her mysteries. This heart throbs violently and eternally with the thirst of self-knowledge, as though in it all those substances and forces of nature that have created the human personality as the highest expression of their complexity and wisdom aspired to clarify the meaning and aim of life.
Source: Gutenberg

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