Max Beerbohm

Definition and stakes

Portrait of Max Beerbohm Max Beerbohm,  Zuleika Dobson — Chapter 16 (1911)

“ Some measure of force was the only way out of an impossible situation. It was in vain that he commanded the young lady to let go: she did but cling the closer. It was in vain that he tried to disentangle himself of her by standing first on one foot, then on the other, and veering sharply on his heel: she did but sway as though hinged to him. He had no choice but to grasp her by the wrists, cast her aside, and step clear of her into the room.
Her hat, gauzily basking with a pair of long white gloves on one of his arm-chairs, proclaimed that she had come to stay.
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Source: Wikisource

Portrait of Max Beerbohm Max Beerbohm,  Zuleika Dobson — Chapter 3 (1911)

“ He looked her full in the face. It was like seeing suddenly at close quarters some great bright monument that one has long known only as a sun-caught speck in the distance. He saw the large violet eyes open to him, and their lashes curling to him; the vivid parted lips; and the black pearl, and the pink.
"You are very kind," he murmured, in a voice which sounded to him quite far away. "But I always play without notes."
Zuleika blushed. Not with shame, but with delirious pleasure.
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Source: Wikisource

Portrait of Max Beerbohm Max Beerbohm,  A Relic (1919)

“ Mlle. Angélique, therefore, would have to be modified by me in appearance and behavior, toned down, touched up; and poor M. Joumand must look like a man of whom one could believe anything. . . ." She ceased speaking. She gazed down at the fragments of her fan, and then, as though finding in them an image of her own life, whispered, 'To think what I once was, monsieur!—what, but for him, I might be, even now!' She buried her face in her hands, then stared out into the night. Suddenly she uttered a short, harsh laugh.
"Down below, the sea rustled to and fro over the shingle."
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Source: Wikisource

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