Summary

The Great English Short-Story Writers…

Villon was sensibly nettled under all this sermonizing. "You think I have no sense of honor!" he cried. "I'm poor enough, God knows! It's hard to see rich people with their gloves, and you blowing your hands. An empty belly is a bitter thing, although you speak so lightly of it. If you had had as many as I, perhaps you would change your tune. Anyway, I'm a thief—make the most of that—but I'm not a devil from hell, God strike me dead. I would have you to know I've an honor of my own, as good as yours, though I don't prate about it all day long, as if it were a God's miracle to have any.
Source: Gutenberg

The Great English Short-Story Writers…

The wind was freshening without; it drove the snow before it, and sometimes raised its voice in a victorious whoop, and made sepulchral grumblings in the chimney. The cold was growing sharper as the night went on. Villon, protruding his lips, imitated the gust with something between a whistle and a groan. It was an eerie, uncomfortable talent of the poet's, much detested by the Picardy monk.
"Can't you hear it rattle in the gibbet?" said Villon. "They are all dancing the devil's jig on nothing, up there. You may dance, my gallants, you'll be none the warmer!
Source: Gutenberg

The Great English Short-Story Writers…

Until they have had such treatment as we give stone in the quarry or gems in the rough, they seldom group themselves with that harmony of values and brilliant unity of interest that result when art comes in—not so much to transcend nature as to make nature transcend herself." In other words, it is not until the true story has been converted into fiction by the suppression of whatever is discursive or ungainly, and the addition of a stroke of fantasy, that it becomes integral, balanced in all its parts, and worthy of literary remembrance.
Source: Gutenberg

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