“ The officer, I may say, had obtained no insight into the modus operandi of the trick, and his fundamental misrepresentation of the only patent occurrence that might have given him a clew to its performance debarred him completely from afterwards, on reflection, arriving at any explanation. Just similarly, many an honest witness may have described himself as having placed one slate upon another at a sitting with a medium, whereas it was the medium who did so, and who possibly effected at the same time one or two other operations altogether unnoticed by the witness. ”

“ The awful life of isolation, without employment, without books, without writing materials, without sight or sound of man save when Saint- Mars or his lieutenant brought food for the day, drove captives mad. ”

“ Another fundamental rule that is observed by all sleight-of-hand performers is: Never to let an audience know beforehand what is to be done; i. e., the nature of the trick that it is intended to perform. If the spectator knew what was forthcoming, he would be on the lookout for movements of the performer at certain critical times—just at the periods when close observation is least wanted— and would quite possibly detect the performer in the act of executing certain movements which would show how the trick was performed. ”

“ He (the conjurer) must dissociate the natural factors of his habits, actually attending to one thing while seemingly attending to another; at the same time his eyes and his gestures and his 'patter' misdirect the attention to what is apparently the essential field of operation, but really only a blind to distract attention away from the true scene of action. The conjurer directs your attention to what he does not do; he does not do what he pretends to do; and to what he actually does, he is careful neither to appear to direct his own attention nor to arouse yours. ”

“ You will not be angry if we triumph in our turn?" I added, with a petulant smile.
"Come, sir; we understand evasions of that sort. I repeat it—I challenge you both."
The public found great amusement in this debate, and patiently awaited its issue.
"Emile," I said to my son, "prove to this gentleman that nothing can escape your second sight."
"It is number sixty-nine," the boy answered, immediately.
Noisy and hearty applause rose from every part of the theater, in which our opponent joined, for, confessing his defeat, he exclaimed, as he clapped his hands, "It is astounding— magnificent!" ”

“ We begin to take up people . . . the other day they seized an odd man who goes by the name of Count Saint-Germain. He has been here these two years, and will not tell who he is, or whence, but professes that he does not go by his right name. He sings, plays on the violin wonderfully, composes, is mad, and not very sensible. He is called an Italian, a Spaniard, a Pole; a somebody that married a great fortune in Mexico, and ran away with her jewels to Constantinople; a priest, a fiddler, a vast nobleman. ”

“ We must at once ask ourselves: who placed the slates in that position? and if it was the medium—as it probably was in the vast majority of instances—then that test, in all probability, ceases to have any evidential weight. Anyone can read over a number of accounts of slate-writing performances, and verify these statements, if he chooses to do so. Frequently, the statement is made that the sitter did actually place the slate on the table, when in reality the medium did so. This error is quite unconscious on the sitter's part, of course, but the account is falsified, nevertheless. ”

“ This faculty I wished to acquire and apply to sleight-of-hand; still, as music could not afford me the necessary elements, I had recourse to the juggler's art, in which I hoped to meet with an analogous result.
It is well known that the trick with the balls wonderfully improves the touch, but does it not improve the vision at the same time? In fact, when a juggler throws into the air four balls crossing each other in various directions, he requires an extraordinary power of sight to follow the direction his hands have given to each of the balls. ”

“ I, a simple conjurer, was proud of being able to render my country a service.
It is known that the majority of revolts which have to be suppressed in Algeria are excited by intriguers, who say they are inspired by the Prophet, and are regarded by the Arabs as envoys of God on earth to deliver them from the oppression of the Roumi (Christians) .
These false prophets and holy Marabouts, who are no more sorcerers than I am, and indeed even less so, still contrive to influence the fanaticism of their coreligionists by tricks as primitive as are the spectators before whom they are performed. ”

“ It is next to an impossibility to detect these traps by examining in the cabinet. They were constructed to avoid discovery, and no pains spared to make them so absolutely perfect that not one chance in a million is taken. The proper place to seek for traps is in the adjoining room, upstairs, or in the cellar. One is foolish to undertake to find a trap by thumping the walls or floor; for, if you happen to thump one, the medium who is smart enough to make use of a trap is also sharp enough to make provision for its being thumped, and your sounding method goes for naught. ”

“ But it is different when, owing to circumstances, such as a bad light, we have to infer more in proportion to what we perceive than usual; or when some one, e. g., a conjurer or a ventriloquist, is trying to deceive us by presenting one object under the familiar aspect of another, and suggesting false inferences. It is not uncommon to find people at seances encouraging each other in the belief that they see, say, a living human figure, when all that they actually SEE is something moving which is about the size of a human being ”

“ It is obvious, therefore, that, when a coin is placed upon each of the hands again, the magician has only to repeat the opening and closing movement, and there will be three coins in one of the hands, and only one in the other.
This trick illustrates, in a very simple and striking manner, the possibility of reporting a fact in an entirely erroneous manner, quite unconscious of the fact that this error in reporting has been committed. Just in this same manner, are many slate-writing and other phenomena misreported, and hence an explanation of the seance, AS REPORTED, is rendered impossible. ”

“ Would any workman, artisan, or tradesman give up a certainty, however slight it may be, to yield to a passion which would be surely regarded as a mania? Hence my irresistible penchant for the mysterious could only be followed at this precise period of my life. ”

“ I must first of all call the reader's attention to one or two rules which every conjurer learns at the commencement of his study, and which he learns to apply so constantly that it becomes second nature to him. The first is: Never let the eyes rest on the hand that is performing the "sleight," but always on the other hand, or on some object on the table or elsewhere, as this will have a tendency to draw the eyes of the audience to that point also. ”

“ Turning, now, to a consideration of the seance, we find that many of these psychological rules still hold good, and their operation enables the medium to perform many actions which would otherwise be impossible. A certain suggestion is given to the sitters, and imagination and inference do the rest. "Our conclusions as to what we see or hear are always founded on a combination of observation and inference; but in daily life it is seldom necessary to distinguish between the two elements, since, when the object and its mode of presentation are familiar, our inferences are generally correct. ”

“ The experiment of second sight always formed the termination of my performance. Each evening I saw unbelievers arrive with all sorts of articles to triumph over a secret which they could not unravel. Before going to see Robert-Houdin's son a council was held, in which an object that must embarrass the father was chosen. Among these were half-effaced antique medals, minerals, books printed in characters of every description (living and dead languages) , coats- of-arms, microscopic objects, etc. ”

“ Do not forget the MANAGER in your search. He or she is never searched, or never has been up to date, which has been the cause of many a failure to find the "properties" of the medium when the seance was given in a room and cabinet furnished by a stranger and skeptic. Do not be deceived into a belief that all of the sitters are strangers to the medium. There may be from one to five persons present who pay their money the same as yourself, and who may appear to be the most skeptical of anyone in the room. ”

“ I stopped him, however, for an idea had occurred to me which would save me from my dilemma, at least temporarily; then, addressing my adversary:
"You are aware," I said, with assurance, "that I require a talisman in order to be invulnerable, and, unfortunately, I have left mine at Algiers."
The Marabout began laughing with an incredulous air. "Still," I continued, "I can, by remaining six hours at prayers, do without the talisman, and defy your weapon. To-morrow morning, at eight o'clock, I will allow you to fire at me in the presence of these Arabs, who were witnesses of your challenge." ”

“ So perished Roux de Marsilly; the history of the master throws no light on the secret of the servant. That secret, for many years, caused the keenest anxiety to Louis XIV. and Louvois. Saint-Mars himself must not pry into it. Yet what could Dauger know? That there had been a conspiracy against the King's life? But that was the public talk of Paris. If Dauger had guilty knowledge, his life might have paid for it; why keep him a secret prisoner? Did he know that Charles II. had been guilty of double dealing in 1668- 1669? ”

“ The methods of diverting the spectator's attention are various. There is the use of the eyes, as before shown. Then there is the spoken word, the performer telling the onlookers to observe some certain object or action, and the effect is to cause them to watch it, as they are told. They follow the line of least resistance. The combined effect upon the spectator of the spoken word and the eyes together is generally irresistible.
Another important factor is this: A performer should always let any suggestion, right or wrong, soak well into the spectator's mind before attempting to change it. ”

“ If an unusual place or disease should be written, it is almost certain these are the ones.
It can readily be seen how expert one can become at this by continuous practice, such as a medium has many times a day; how one can learn to take advantage of every little point, and use it with telling effect on unsuspecting strangers, who do not know what is going to happen, or what to look for. ”

“ Aristotle assures us, in his Poetics, that the best-known myths dramatized on the Athenian stage were known to very few of the Athenian audience. It is not impossible that the story of Saint- Germain, though it seems as familiar as the myth of Oedipus or Thyestes, may, after all, not be vividly present to the memory of every reader. The omniscent Larousse, of the Dictionnaire Universel, certainly did not know one very accessible fact about Saint-Germain, nor have I seen it mentioned in other versions of his legend. ”

“ On July 19, 1698, Barbezieux bade Saint-Mars come to assume the command of the Bastille. He is to bring his "old prisoner," whom not a soul is to see. Saint-Mars therefore brought his man MASKED, exactly as another prisoner was carried masked from Provence to the Bastille in 1695. M. Funck-Brentano argues that Saint-Mars was now quite fond of his old Mattioli, so noble, so learned. ”

“ He seemed somewhat nervous, and finally arose and walked across the stage, stopped a moment and then continued his walk. Meanwhile he kept giving the tests. Occasionally he would walk about nervously, and sometimes he would seat himself in the chair for a time; but he kept right on giving test after test, with perfect accuracy, while the sealed envelopes remained in full view on the table. During this time, and in fact during the time the audience was writing the questions, neither the medium nor the manager had ever left the sight of the spectators for even an instant. ”

“ How the little attorney, eating his midday lunch four thousand miles away, at Pontin's restaurant on Franklin Street, must have trembled in his patent leather boots! His last emissary, Cohen, at once procured an assistant by the name of Brookman and with him proceeded to Wharton County, Texas, where they secured a new writ of habeas corpus and induced the local sheriff, one Rich, to swear in a posse comitatus of one hundred men for the purpose of coming to Houston to take the prisoner by force of arms out of the hands of the United States Marshal. ”

“ I believe you know the man. . . . I remember him in England."
Can this monk be the monk who went mad in prison at Pignerol, sharing the cell of Mattioli? Did he, too, suffer for his connection with the secret? We do not know, but the position of Charles was awkward. Marsilly, dealing with the Swiss, had come straight from England, where he was lie with Charles's minister, Arlington, and with the Dutch and Spanish ambassadors. ”

“ When he of the luminous arm steps from the cabinet into the dark room no part of him is visible save the arm. He picks the strings of the instrument with the illuminated hand and fingers the keyboard with the other. He makes a sound of writing on the tablet and tears off a leaf which he conceals, and, drawing a long black stocking over the luminous arm, places in the pocket of the sitter a communication that has been written upstairs in a good light. ”

“ An immortal but dubious personage, he said, was treating in the interests of France, for peace, which it was d'Affry's business to do if the thing was to be done at all. Choiseul replied in a rage by the same courier. Saint-Germain, he said, must be extradited, bound hand and foot, and sent to the Bastille. Choiseul thought that he might practice his regimen and drink his senna tea, to the advantage of public affairs, within those venerable walls. ”

“ The general public cannot get that all- important fact too strongly rooted in its mind: that the events which transpired at a seance may not be reported accurately, so that the report of the seance may be altogether wrong and erroneous, though the sitters, and those who drew up the report, may have been thoroughly honest in their belief that the report is accurate in every respect. ”

“ But people were already in extremes of doubt and of belief; there might be something in the elixir of life and in the philosopher's stone; it might be possible to make precious stones chemically, and Saint-Germain, who seemed to be over a century old at least, might have all these secrets. ”

“ They are the most careful of investigators, and, when the medium's trap is located in the door-jamb, will pound the walls, and insist on the carpet being taken up, when they will get upon their hands and knees and make a most searching examination of the floor. They are the closest and most critical of investigators, but they are very careful to examine everywhere EXCEPT WHERE THE DEFECT IS LOCATED. Because one or two men seem to be making such a critical investigation, do not allow that fact to prevent you making one on your own responsibility. ”

“ In introducing this triumph of mechanical genius to the American public, it is proper to say that it is not an entirely new article, but that it has lately been improved in appearance, simplicity of construction, and accuracy, having new points of excellence, making it superior in many respects to those first made. The manufacturers having improved facilities for making them cheaply and rapidly, have reduced the price to one dollar and fifty cents; and while the profits on a single one are necessarily small, this price places them within the reach of all. ”

“ By awakening interest in some unimportant detail, the conjurer concentrates that attention on some false point, or negatively, diverts it from the main object, and we all know the senses of an inattentive person are pretty dull. . . . When causing the disappearance of some object, the conjurer counts one, two, three; the object must really disappear before three, not at three, because, the attention of the public being diverted to three, they do not notice what happens at one and two. ”

“ The matter is in some aspects as much a technical acquisition as in the diagnosticating of a disease. It is not at all to the discredit of anyone's powers of observation or intellectual acumen to be deceived by the performances of a conjurer; and the same holds true of the professional part of mediumistic phenomena. Until this homely but salutary truth is impressed with all its importance upon all intending investigators, there is little hope of bringing about a proper attitude toward these and kindred phenomena. ”

“ I planned the shooter myself, and, in wording the circular, aimed to cover the points and keep within the law. I think I have succeeded."
"I beg leave to differ," argued the special agent. "Aside from the general falsity of the description, there are specific claims which you cannot make good."
"I don't see the matter in that light," replied the champion of the seven-shooter. "I say, 'Wherever introduced, they advertise themselves.' Well, don't they? Whoever gets one will be apt to tell his neighbors. Isn't that advertising itself? ”