Thomas Alfred Spalding

Summary

Thomas Alfred Spalding Elizabethan Demonology

Man is no longer the plaything, but the master of his fate; and he, seeing now the possible triumph of good over evil, and his duty to do his best in aid of this triumph, has no more fear of the dreams—the something after death. Our little life is still rounded by a sleep, but the thought which terrifies Hamlet has no power to affright Prospero. The hereafter is still a mystery, it is true; he has tried to see into it, and has found it impenetrable. But revelation has come like an angel, with peace upon its wings, in another and an unexpected way.
Source: Gutenberg

Thomas Alfred Spalding Elizabethan Demonology

Questions arise thick and fast that are easier put than answered. Can it be that evil influences have the upper hand in this world? that, be a man never so honest, never so pure, he may nevertheless become the sport of blind chance or ruthless wickedness? May a Hamlet, patiently struggling after truth and duty, be put upon and abused by the darker powers? May Macbeth, who would fain do right, were not evil so ever present with him, be juggled with and led to destruction by fiends? May an undistinguishing fate sweep away at once the good with the evil—Hamlet with Laertes
Source: Gutenberg

Thomas Alfred Spalding Elizabethan Demonology

Is it conceivable that Shakspere, who, as most people admit, was a man of some poetic feeling, being in possession of the beautiful Norn-legend—the silent Fate-goddesses sitting at the foot of Igdrasil, the mysterious tree of human existence, and watering its roots with water from the sacred spring—could, ruthlessly and without cause, mar the charm of the legend by the gratuitous introduction of the gross and primarily unpoetical details incident to the practice of witchcraft? No man with a glimmer of poetry in his soul will imagine it for a moment.
Source: Gutenberg

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