Thomas De Quincey

Thomas De Quincey

Joan of Arc (1847)

Summary

Portrait of Thomas De Quincey Thomas De Quincey Joan of Arc (1847)

By the fountain, Bishop, you saw a woman seated, that hid her face. But as you draw near, the woman raises her wasted features. Would Domrémy know them again for the features of her child? Ah, but you know them, Bishop, well! Oh, mercy! what a groan was that which the servants, waiting outside the Bishop's dream at his bedside, heard from his laboring heart, as at this moment he turned away from the fountain and the woman, seeking rest in the forests afar off. Yet not so to escape the woman, whom once again he must behold before he dies.
Source: Wikisource

Portrait of Thomas De Quincey Thomas De Quincey Joan of Arc (1847)

Great was the throne of France even in those days, and great was he that sate upon it: but well Joanna knew that not the throne, nor he that sate upon it, was for her; but, on the contrary, that she was for them; not she by them, but they by her, should rise from the dust. Gorgeous were the lilies of France, and for centuries had the privilege to spread their beauty over land and sea, until, in another century, the wrath of God and man combined to wither them; but well Joanna knew, early at Domrémy she had read that bitter truth, that the lilies of France would decorate no garland for her.
Source: Wikisource

Portrait of Thomas De Quincey Thomas De Quincey Joan of Arc (1847)

In the forests to which he prays for pity, will he find a respite? What a tumult, what a gathering of feet is there! In glades, where only wild deer should run, armies and nations are assembling; towering in the fluctuating crowd are phantoms that belong to departed hours. There is the great English Prince, Regent of France. There is my Lord of Winchester, the princely Cardinal, that died and made no sign. There is the Bishop of Beauvais, clinging to the shelter of thickets. What building is that which hands so rapid are raising? Is it a martyr's scaffold?
Source: Wikisource

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