Jules Michelet

Definition and stakes

Portrait of Jules Michelet Jules Michelet La Sorcière: The Witch of the Middle Ages

Michelet, in language not all unworthy of such a word-master. How far he has succeeded others may be left to judge. In one point only is he aware of having been less true to his original than in theory he was bound to be. He has slurred or slightly altered a few of those passages which French readers take as a thing of course, but English ones, because of their different training, are supposed to eschew. A Frenchman, in short, writes for men, an Englishman rather for drawing-room ladies, who tolerate grossness only in the theatres and the columns of the newspapers.
Source: Gutenberg

Portrait of Jules Michelet Jules Michelet La Sorcière: The Witch of the Middle Ages

Following the old pagan form she sits a moment upon him in token of surrender, like the Delphian seeress on Apollo’s tripod. After receiving the breath of his spirit, the sacrament of his love, she purifies herself with like formal solemnity. Thenceforth she is a living altar.
The Introit over, the service is interrupted for the feast. Contrary to the festive fashion of the nobles, who all sit with their swords beside them, here, in this feast of brethren, are no arms, not even a knife.
As a keeper of the peace, each has a woman with him. Without a woman no one is admitted.
Source: Gutenberg

Portrait of Jules Michelet Jules Michelet La Sorcière: The Witch of the Middle Ages

The foolish king, not yet grown quite an idiot, compelled his royal forefathers to share in the ball, by making their dry bones dance in their biers. Death, becoming a go-between whether he would or no, lent a sharp spur to the voluptuous revel. Then broke out those unclean fashions of an age when ladies made themselves taller by wearing the Devil’s horned-bonnet, and gloried in dressing as if they were all with child. [64] To this fashion they clung for the next forty years. The younger folk on their side, not to be behind in shamelessness, eclipsed them in the display of naked charms.
Source: Gutenberg

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