Thomas Wright Blakiston

Summary

Thomas Wright Blakiston Transactions of the Asiatic Society of Japan (1874)

The Japanese have not failed in their artistic works, to secure this feature so familiar to their own eyes, and have stamped the pine tree, one might say, as one of their natural emblems. It is to be hoped that the unsparing and barbarous hand of an impoverished government will not be laid on the pine trees skirting the old highways of the country, and that this great feature in the scenery of Japan will not be civilised off the face of the earth.
Source: Wikisource

Thomas Wright Blakiston Transactions of the Asiatic Society of Japan (1874)

I refer to river terraces, those comparatively horizontal steps which are sometimes on one side and sometimes on the other, and occasionally on both, and which form a series of terraces ascending the valley; frequently varying as to difference of level, but often remarkably regular in their gradations. Many persons are under the impression that these terraces are the remains of former sea beaches; that to have formed them the sea must have covered whole continents, and reached near the tops of high mountains; that the land has either risen out of the sea, or that the sea has receded.
Source: Wikisource

Thomas Wright Blakiston Transactions of the Asiatic Society of Japan (1874)

At the outskirts of Sendai we passed through a collection of potteries, where are manufactured the coarser kinds of jars and pans. The Kaido—hardly deserving that name—runs for a great part over a broken country, the uplands of which are mostly scrub-covered, with pine trees dotted about. The narrow and confined valleys are rice cultivated. The villages are poor. The country, however, improves on approaching Yoshioka, which is situated in a valley having a small river running through it.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature