Summary

Portrait of Vachel Lindsay Vachel Lindsay The Golden Book of Springfield

I ENTER INTO THE NEW SPRINGFIELD OF 2018. I AM SNUBBED BY AVANEL, SHE RELENTS, SHOWING ME MANY PANORAMAS OF NEW SPRINGFIELD. WE CONFESS TO HAVING THE SAME DREAM OF DEVIL’S GOLD. But it is not after the noble manner of these others that I enter at last into the vision of 2018.
There is deep darkness, and time passing by without end, and shade. There is the fear of the moles that will not leave me alone, who make nests of alien dust, beneath my ribs. And my bones crumble through the century, like last year’s autumn leaves.
Source: Gutenberg

Portrait of Vachel Lindsay Vachel Lindsay The Golden Book of Springfield

Now it is way past midnight, and we are at old Fifth and Monroe, and all the street cars and vehicles have long stopped, and the light in Dodds’ drug store is dim, and the all-night clerks are nodding behind the cases, or chatting at the ice cream tables, half awake.
And so Avanel and I, walking in one dream together, know not whether we see with the human eyes that perish or the eyes of eternity.
Suddenly something of the cry of the earth reaches us, and there, camping at the crossing of the street car tracks of Fifth and Monroe is the Handsome Medicine Man, Devil’s Gold.
Source: Gutenberg

Portrait of Vachel Lindsay Vachel Lindsay The Golden Book of Springfield

At his simple forge he hammers out those wonderful swords in plain sight of the passer-by or the detective from Europe. They cannot grasp the secret. He named his gift to the world, “The Avanel Blade.” It is waspish and supple, all-conquering in body and soul. Sideways it can be wound like watch spring steel, or even a coil of narrow ribbon. Edgewise it can cut more human flesh and bone than the heavy guillotine, it can cut straight through an iron or granite block of any thickness, as though it were cutting snow. In its standard form it is longer than the longest cavalry sword.
Source: Gutenberg

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