Summary

Various Blackwood's Edinburgh Magazine…

Oh, burthen of solitude, that cleavest to man through every stage of his being—in his birth, which has been—in his life, which is—in his death, which shall be—mighty and essential solitude! that wast, and art, and art to be;—thou broodest, like the spirit of God moving upon the surface of the deeps, over every heart that sleeps in the nurseries of Christendom. Like the vast laboratory of the air, which, seeming to be nothing, or less than the shadow of a shade, hides within itself the principles of all things, solitude for a child is the Agrippa's mirror of the unseen universe.
Source: Gutenberg

Various Blackwood's Edinburgh Magazine…

What had Dryden purposed to achieve? Out of two books of a great epic, to edify one act of an opera. To invention of situation, character, or passion, he aspires not; all he had to do—since he must needs meddle—was to select, compress, and abridge, with some judgment and feeling, and to give the result—unhappy at the best—in his own vigorous verse and dearly-beloved rhyme. But beneath the majesty and imagination of Milton, his genius, strong as it was, broke down, and absolutely sunk beneath the level of that of common men.
Source: Gutenberg

Various Blackwood's Edinburgh Magazine…

And so in Pope and his contemporaries, we read of nothing but RULES—RULES—RULES! At this day, the word then in honour, grates, albeit a smooth one, upon one's ear. It seems to depress and to tame, to shut up and imprison thought, which would range and soar, and asks breath, and vigour, and liberty, from true criticism. The truth is, that since that day the world has turned round, and we are turned philosophers. Thus the second phasis has arisen. We want no longer the rules, but the PRINCIPLES—the facts or the laws in our nature, and the nature of things about us, which have given out the rules
Source: Gutenberg

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