Summary

Various Blackwood's Edinburgh magazine…

Loop up this heavy drapery—Katie Stewart is not aware of any one looking at her. Her fingers, threaded through these curls, support her cheek—her shoulders are carelessly curved—her other ungloved arm leans upon the frame of her embroidery, and her graceful little head bends forward, looking out with absorbed unconscious eyes. Now there comes a wakening to the dreamy face, a start to the still figure. What is it? Only some one passing below, who lifts his bonnet from his bright young forehead, and bows as he passes. Perhaps the bow is for Lady Anne, faintly visible at another window.
Source: Gutenberg

Various Blackwood's Edinburgh magazine…

But, in spite of all this, though they make her stiff, and pale, and silent, none of these cares have at all tarnished the gentle lustre of Lady Anne’s good heart; for, to tell truth, embroidery, and prejudices, and steel-collars, though they cramp both body and mind a little, by no means have a bad effect—or, at least, by no means so bad an effect as people ascribe to them in these days—upon the heart; and there lived many a true lady then—lives many a true lady now—to whom devout thoughts have come in those dim hours, and fair fancies budded and blossomed in the silence.
Source: Gutenberg

Various Blackwood's Edinburgh magazine…

There is a brilliant sky overhead, and all the way along, until the street loses itself in its downward slope to the palace, those high-crested coroneted windows are crowded with the noble ladies of Scotland. Below, the crowd thickens every moment—a murmuring, moving mass, with many minds within it like Katie Stewart’s, hostile as fears for future, and remembrance of past injuries can make them, to the hero of the day. And banners float in the air, which high above there is misty with the palpable gold of this exceeding sunshine
Source: Gutenberg

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