Summary

Various Blackwood's Edinburgh magazine…

If Mr Jones colours the horses brown and grey, the faces of the riders flesh colour, and marks their eyes, and reddens their lips, and draperies their bodies after patterns out of a tailor’s book—it is quite absurd to say that the Greeks never intended exact imitation. In what he has done every one will recognise the attempt to portray exact nature in colour. Upon this principle, and establishing a contempt of white marble, there is but one more step to take, to set up offensive wax-work above the art of the statuary in marble. Sculpture is an appeal to the imagination, not to the senses.
Source: Gutenberg

Various Blackwood's Edinburgh magazine…

We agree with her so far, that we contemplate not only as desirable, but as necessary for the political existence of the United States of America, a measure for the ultimate and entire emancipation of the negro; but we cannot take upon ourselves the responsibility of urging an immediate change, which might have the effect, in many important respects, of deteriorating instead of bettering the condition of the black population. What more, by any possible effort, can the people of Great Britain do than they have done? Every man in America knows that we detest the system of slavery.
Source: Gutenberg

Various Blackwood's Edinburgh magazine…

Let an audacious innovator dare to daub one of them with his coat of stucco, and all the chiselling of the life, breath, and motion is annihilated. It must be so, whatever be the thickness of the coat; though it be but a nail-paring it must diminish risings and hollows, and all nicer touches must disappear. We should heartily desire to see the innovator suffocated in his plaster and paint-pot, that in his suffering he may know it is a serious thing to knock the life-breath out of the body even of a statue.
Source: Gutenberg

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