Various, Chambers's Edinburgh Journal, No…
“ Raphael was the first of the moderns to idealise beauty, or, in other words, to represent nature in the form she is striving, in her infinite progression, to attain, but which as yet she only indicates here and there in those hints and parts that prophetic genius combines and moulds into a whole. He softened the harsh outlines, mellowed the glaring colours, and harmonised the awkward proportions of mediæval art. ”
