Summary

Various Graham's Magazine, Vol. XIX, No…

Perhaps he reviews some dead author—for the dead interfere not with the living; or he wastes a world of generosity, like Southey, in praising some rhymester of the pantry, who is little enough while he attracts honor to the praiser to plunge into forgetfulness the praise. The good critic—that rare ideal, must have in him courage to blame boldly, magnanimity to eschew envy, benevolence to search for obscure merit. He must have genius to appreciate, and learning to compare: he must have an eye for beauty, an ear for music, a heart for feeling, a mind for reason.
Source: Gutenberg

Various Graham's Magazine, Vol. XIX, No…

Wiccónsat was the son of an aged chief of the Youcómacoes. He was tall and elegantly formed, and straight as an arrow from his quiver. Mild and contemplative, he became a favorite among the settlers, from whom he learned not only to read and write, but many of their useful arts. But he had listened to the breathings of Rosalie’s harp, as he lingered near her dwelling, and had gazed after her fair form, as she wandered in the forest, until the Indian’s life had lost all charms for him. The smile of happy youth had fled, and when he sought his father’s wigwam, his eye was sad and restless.
Source: Gutenberg

Various Graham's Magazine, Vol. XIX, No…

There is nothing more appalling to me than a person walking in his sleep. It is such an image of death aroused from the grave—such a type of the spiritual world—such a contrast to the same being when awake, that I could never look upon my most intimate friend in such a state without a thrill of fear, as if I were gazing upon his spectre—without perfectly comprehending Hamlet’s account of his own feelings in looking upon a ghost.
Source: Gutenberg

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