Summary

Various Punch, or the London Charivari…

When you depart—and, abroad, this is generally about daybreak—"Mr." is always on the spot, haughty, as becomes a man about to be paid, but considerate; there is a bouquet in petticoats for the Entresol—even, for me, a condescending word. "When you see Mr. SHONES in London, you tell him next year I make se Gulf-Links." I don't know who the dickens JONES may be, but I snigger. It all springs from that miserable fiction of being an Habitué.
Source: Gutenberg

Various Punch, or the London Charivari…

The Sibyl leans across the barrier, and tenders a decidedly pretty palm for public pressure, but there is the usual reluctance at first to embrace the opportunity. At length a seeker after truth grasps the hand, and reports that he "can feel a somethink," whereupon his example is followed by the others, including the C.C., who, finding the sensation agreeable, pretends to be electrified to such an extent that he is unable to let go—which concludes the entertainment.
Source: Gutenberg

Various Punch, or the London Charivari…

When I 'eard about Venice in London, I thinks to myself, mate, thinks I,
'Ere's a 'oliday tour on the cheap! 'Ere's a barney as 'ARRY must try.
No Continong this year, that's certain, old man, for the likes of poor me;
But whilst I've a bob I've a chance for a boss at the Bride o' the Sea.
Them posters of IMRE KIRALFY's for gorgeousness quite takes the cake.
Friend IMRE's a spanker, you bet, and quite fly to the popular fake.
"Stupendious work," IMRE calls it, and I.K. is O.K. no doubt.
Your old Country Fair Show takes a back seat when ikey young I.K.'s about.
Source: Gutenberg

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