Summary

Various Punch, or the London Charivari…

It is not too much to say that bed-making circles in Cambridge have been agitated to their utmost depths by the recent advent of some hundreds of American youths who have come to pursue certain courses of study within the University walls. Let us make one thing perfectly clear. Bed-makers do not object to Americans as Americans, but this avalanche of Transatlantics arrives on the very eve of the vacation, just when the bed-makers are packing off the contingent of young Naval officers who have been making things hum during the past term.
Source: Gutenberg

Various Punch, or the London Charivari…

Sir ARTHUR WING PINERO said that he was always willing to help worthy causes and was as ready to write a play for the object in view as, not long since, he had been to write one to encourage economy. But it was useless unless the company chosen would co-operate. The dramatist did not stand alone. So long as the ordinary stage idea of a parlourmaid was a saucy nymph with a feather brush and very short skirts, so long would dramatists strive in vain to exalt her calling.
Source: Gutenberg

Various Punch, or the London Charivari…

It was the duty of a stage servant to begin plays and to be funny. The curtain of a farce should rise on a butler and a parlourmaid remarking on the fact that master was suspiciously late last night; and the butler should be amorous, bibulous and peculative, and the parlourmaid coy and trim. Similarly, footmen should be haughty and drop their aitches, cooks short-tempered, red and fat, and office-boys knowing and cheeky. The public expected it, and the public ought to have it because the public paid.
Source: Gutenberg

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