Summary

Various Punch, or the London Charivari…

We moderns, however, see the absurdity of it. In real life no one thinks aloud or in an empty room. The up-to-date dramatist must at all costs avoid this hall-mark of the old-fashioned play.
What, then, is to be done? If it be granted, first, that the thoughts of a certain character should be known to the audience, and, secondly, that soliloquy, or the habit of thinking aloud, is in opposition to modern stage technique, how shall a soliloquy be avoided without damage to the play?
Well, there are more ways than one; and now we come to what is meant by stage-craft.
Source: Gutenberg

Various Punch, or the London Charivari…

Let us view the matter bravely. We are now within a few miles of our destination; in a short time we shall be asked to produce our tickets; what are we to do?"
"I shall give mine up."
"Smithers," I said; "there is a selfish callousness about your reply which I do not like. A crisis in the life of another evidently does not move you."
"You can, I presume, pay again?"
"No," I said, "I have an absurd prejudice against paying twice for the same thing; I inherit it from a great-aunt on my mother's side."
"Then you'd better explain to the ticket-collector."
Source: Gutenberg

Various Punch, or the London Charivari…

It was then that Bonner Law, with rare dramatic gesture, gave the command, "Ring down the curtain!" "It is the end of the Act, but not of the play," he added amid loud cheers from host behind him, reinforced this afternoon by arrival of recruits from North-East Derbyshire and Ipswich. "The final Act in the drama will be played not in the House of Commons, but in the country, and there, Sir, it will not be a farce."
Source: Gutenberg

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