Various, Punch, or the London Charivari…
“ We moderns, however, see the absurdity of it. In real life no one thinks aloud or in an empty room. The up-to-date dramatist must at all costs avoid this hall-mark of the old-fashioned play.What, then, is to be done? If it be granted, first, that the thoughts of a certain character should be known to the audience, and, secondly, that soliloquy, or the habit of thinking aloud, is in opposition to modern stage technique, how shall a soliloquy be avoided without damage to the play?Well, there are more ways than one; and now we come to what is meant by stage-craft. ”
