Summary

Various Short-story masterpieces, Vol. III - Russian (1912)

Suddenly the important personage felt some one grip him by the collar. Turning around, he noticed a man of small stature, dressed in a shabby old uniform, and, not without terror, recognized in him Akaki Akakievich. The face of the man was pale as snow, like that of a dead man. But the horror of the important personage exceeded all bounds when he saw the mouth of the corpse open, and, while it breathed upon him the terrible odor of the grave, he heard it utter the following remarks: “Ah, so here you are at last! At last I have you that—caught you by the collar! I need your cloak!
Source: Gutenberg

Various Short-story masterpieces, Vol. III - Russian (1912)

Its truthful picture of Russian life, its repellent yet attractive qualities, its penetratingly keen analysis of character, caused Pushkin to exclaim when Gogol read him the first chapters of his book, “God, how miserable life is in Russia!”
Rarely do power and delicacy unite in a stylist as they do in Gogol. For the one, we may find an origin in his love for the sun-steeped and snow-blown plains of his native Cossack country—a love which constantly manifested itself in a real nostalgia, yet never brought him back for long from his wanderings, especially in Italy.
Source: Gutenberg

Various Short-story masterpieces, Vol. III - Russian (1912)

From this time on, it seemed as if his existence had become fuller, as if he had married, as if some other person was living with him, as if he were not alone, but some pleasant companion had consented to share his lot in life with him—and this companion was none other than the cloak, thickly wadded and so strongly lined as never to wear out. He became as it were livelier, even more characterful, as befits a man who has a clear and a firm aim in life.
Source: Gutenberg

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