Summary

Various The Knickerbocker, or New-York Monthly Magazine…

But it is in the moral interest with which the poet invests the objects he describes, that the chief source of our pleasure is to be found. The poet paints Nature, not as she is, but as she seems. He adorns her with beauty not her own, and presents her thus adorned to men, to admire and to love. It is by interweaving human sympathies and feelings with the objects of the material world, that they lose their character of ‘mute insensate things,’ and acquire the power to charm and to soothe us, amidst all the cares and anxieties of our life.
Source: Gutenberg

Various The Knickerbocker, or New-York Monthly Magazine…

The tail is real; accuracy is attempted: but though the tail be real, the horse is not; the horse is played by a boy, and only by a boy; it is in this mimicry that the enjoyment consists. But how absurd to put a real tail on an unreal horse! How revolting this mixture of imagination and fact! It is equalled only by that ludicrous practice of placing the face of a real watch in the place of a church-clock in a landscape; where one may not only see the time of day, but may also hear it struck, and that amidst painted trees and houses!
Source: Gutenberg

Various The Knickerbocker, or New-York Monthly Magazine…

In less than two hours from Picolata, we snuffed the salt air again; and reaching the open country, walked our horses leisurely into St. Augustine.
As we entered the city my companion left me; and as I drew rein on the square, I noticed that the schooner was still at the dock, and all about the city was quiet and undisturbed. The storm had gone by, its skirts hanging on the eastern horizon, and forming a back-ground to the light of the light-house, while the city and bay were bright in the starlight; and if stars shine any brighter in the small hours, they were doing their best then.
Source: Gutenberg

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