W. Somerset Maugham

“ The two Chinese gentlemen, smiling, look at them with soft eyes. Rude boys cry out at the foreigner in a shrill and scornful voice. The city wall, crumbling, old and crenellated, looks like the city wall in an old picture of some Palestinish town of the Crusaders.
You pass through the gateway into a narrow street lined with shops: many of them with their elegant lattice work, red and gold, and their elaborate carving, have a peculiar ruined magnificence, and you imagine that in their dark recesses are sold all manner of strange wares of the fabulous East. ”

“ THE INN
It seems long since the night fell, and for an hour a coolie has walked before your chair carrying a lantern. It throws a thin circle of light in front of you, and as you pass you catch a pale glimpse (like a thing of beauty emerging vaguely from the ceaseless flux of common life) of a bamboo thicket, a flash of water in a rice field, or the heavy darkness of a banyan. Now and then a belated peasant bearing two heavy baskets on his yoke sidles by. The bearers walk more slowly, but after the long day they have lost none of their spirit, and they chatter gaily ”

“ I can make out the causeway well enough and the water in the padi fields reflects already a wan and shadowy light. It is no longer night, but it is not yet day. This is the moment of most magical beauty, when the hills and the valleys, the trees and the water, have a mystery which is not of earth. For when once the sun has risen, for a time the world is very cheerless, the light is cold and grey like the light in a painter's studio, and there are no shadows to diaper the ground with a coloured pattern. Skirting the brow of a wooded hill I look down on the padi fields. ”

“ But the noise in the inn suddenly increases to a din and looking out you see that more travellers, [43] a party of Chinese in sedan chairs, have arrived. They take the rooms on each side of you and through the thin walls you hear their loud talking far into the night. With a lazy, restful eye, your whole body conscious of the enjoyment of lying in bed, taking a sensual pleasure in its fatigue, you follow the elaborate pattern of the transom. The dim lamp in the yard shines through the torn paper with which it is covered, and its intricate design is black against the light. ”

“ For looming through the mist you may see the fantastic roofs of a temple loftily raised on a huge stone bastion, around which, a natural moat, flows a quiet green river, and when the sun lights it you seem to see the dream of a Chinese palace, a palace as rich and splendid as those which haunted the fancy of the Arabian story tellers; or, crossing a ferry at dawn you may see, a little above you, silhouetted against the sunrise, a sampan in which a ferryman is carrying a crowd of passengers ”

“ The little hills, wooded to their summit, with a line of fir trees along the crest, a firm silhouette against the sky, the little hills rise behind one another, and the varying level of the mist, forming a pattern, gives the composition a completeness which yet allows the imagination ample scope. The bamboos grow right down to the causeway, their thin leaves shivering in the shadow of a breeze, and they grow with a high-bred grace so that they look like groups of ladies in the Great Ming dynasty resting languidly by the way-side. ”

“ A great multitude surges along the uneven narrow footwalk or in the deepset street; and coolies, bearing heavy loads, shout for way in short sharp cries. Hawkers with guttural sound call their wares.
And now at a sedate pace, drawn by a sleek mule, comes a Peking cart. Its hood is bright blue and its great wheels are studded with nails. The driver sits with dangling legs on a shaft. It is evening and the sun sets red behind the yellow, steep, and fantastic roof of a temple. The Peking cart, the blind in front drawn down, passes silently and you wonder who it is that sits cross-legged within. ”

“ It serves to express the straining heart, the breaking muscles, and at the same time the indomitable spirit of man which overcomes the pitiless force of nature. Though the rope may part and the great junk swing back, in the end the rapid will be passed; and at the close of the weary day there is the hearty meal and perhaps the opium pipe with its dreams of ease. But the most agonising song is the song of the coolies who bring the great bales from the junk up the steep steps to the town wall. Up and down they go, endlessly, and endless as their toil rises their rhythmic cry. ”

“ When he sits at his door, smoking his water pipe and through his great horn spectacles reading a newspaper, his eyes must rest with good humour sometimes on the fantastic ornamentation. On the counter, in a long-necked pot, stands a solitary carnation.
You will find the same delight in the ornate in the poorest villages where the severity of a door is mitigated by a charming piece of carving, and where the trellis of the windows forms a complicated and graceful pattern. You can seldom cross a bridge, in however unfrequented a district, without seeing in it the hand of an artist. ”

“ But though the Chinese take such careful pains to avoid fatiguing your eye, with sure taste making the elaborateness of a decoration endurable by contrasting it with a plain surface, in the end weariness overcomes you. Their exuberance bewilders. You cannot refuse your admiration to the ingenuity with which they so diversify the ideas that occupy them as to give you an impression of changing fantasy, but the fact is plain that the ideas are few. The Chinese artist is like a fiddler who with infinite skill should play infinite variations upon a single tune. ”

“ The vice-consul was carried back towards the consulate through the streets, crowded and tortuous, where life was going on just as usual. And as he went along quickly, for the consular bearers were fine fellows, his mind distracted a little by their constant shouts to make way, he thought how terrible it was to make an end of life deliberately: it seemed an immense responsibility to destroy what was the result of innumerable generations. The human race has existed so long and each one of us is here as the result of an infinite series of miraculous events. ”

“ The throng is as thick as the throng on a pavement in London when a theatre is emptying itself of its audience. You have to push your way through it, stepping aside every moment as chairs come by and coolies bearing their everlasting loads: itinerant sellers, selling almost anything that anyone can want to buy, jostle you as you pass.
The shops are wide open to the street, without windows or doors, and they are crowded too. They are like an exhibition of arts and crafts, and you may see what a street looked like in medieval England when each town made all that was necessary to its needs. ”

“ It was on the other side of this that the crew—fine sturdy fellows—rowed by day and slept by night, joined then by the steersman who had stood from dawn to dusk, in a tattered blue gown and a wadded coat of faded grey, a black turban round his head, at the long oar which was his helm. There was no furniture but my bed, a shallow dish like an enormous soup-plate in which burned charcoal, for it was cold, a basket containing my clothes which I used as a table, and a hurricane lamp which hung from one of the arches and swayed slightly with the motion of the water. ”

“ You can make no longer a pattern of them as they wend their way. Their effort oppresses you. You are filled with a useless compassion.
In China it is man that is the beast of burden.
"To be harassed by the wear and tear of life, and to pass rapidly through it without the possibility of arresting one's course,—is not this pitiful indeed? To labour without ceasing, and then, without living to enjoy the fruit, worn out, to depart, suddenly, one knows not whither,—is not that a just cause for grief?"
So wrote the Chinese mystic. ”

“ If you had happened upon him behind the counter of a department store or on a stool in a broker's office you would have thought him perfectly in place. But you would have noticed him as little as you noticed the counter or the stool. There was so little in him to attract attention that in the end it became intriguing: his face, empty of significance, reminded you of the blank wall of a Manchu palace, in a sordid street, behind which you knew were painted courtyards, carved dragons, and heaven knows what subtle intricacy of life. ”

“ The various industries are huddled together so that you will pass through a street of butchers where carcasses and entrails hang bloody on each side of you, with flies buzzing about them and mangy dogs prowling hungrily below; you will pass through a street where in each house there is a hand-loom and they are busily weaving cloth or silk. There are innumerable eating houses from which come heavy odours and here at all hours people are eating. Then, generally at a corner, you will see tea-houses, and here all day long again the tables are packed with men of all sorts drinking tea and smoking. ”

“ It is a city of a thousand noises. There are the peddlers who announce their presence by a wooden gong; the clappers of the blind musician or of the masseuse; the shrill falsetto of a man singing in a tavern; the loud beating of a gong from a house where a wedding or a funeral is being celebrated. There are the raucous shouts of the coolies and chair-bearers; the menacing whines of the beggars, caricatures of humanity, their emaciated limbs barely covered by filthy tatters and revolting with disease; the cracked melancholy of the bugler who incessantly practises a call he can never get ”

“ At first when you see the coolie on the road, bearing his load, it is as a pleasing object that he strikes the eye. In his blue rags, a blue of all colours from indigo to turquoise and then to the paleness of a milky sky, he fits the landscape. He seems exactly right as he trudges along the narrow causeway between the rice fields or climbs a green hill. ”

“ They have the abandon of flowers, a well-born wantonness that is too sure of its good breeding ever to be in danger of debauchery. But the memorial arch, to virtuous widow or to fortunate scholar, warns you that you are approaching a village or a town, and you pass, affording a moment's sensation to the inhabitants, through a ragged line of sordid hovels [88] or a busy street. The street is shaded from the sun by great mats stretched from eave to eave; the light is dim and the thronging crowd has an unnatural air. ”

“ It is night still and the courtyard of the inn is rich with deep patches of darkness. Lanterns throw fitful lights on the coolies busily preparing their loads for the journey. They shout and laugh, angrily argue with one another, and vociferously quarrel. I go out into the street and walk along preceded by a boy with a lantern. Here and there behind closed doors cocks are crowing. But in many of the shops the shutters are down already and the indefatigable people are beginning their long day. Here an apprentice is sweeping the floor, and there a man is washing his hands and face. ”

“ They wear the disdainful air of profiteers forced to traverse a world in which many people are not so rich as they. A little crowd, tattered in their blue clothes, is gathered about the gate and it scatters as a youth in a pointed cap gallops up on a Mongolian pony. A band of children are chasing a lame dog and they throw clods of mud at it. Two stout gentlemen in long black gowns of figured silk and silk jackets stand talking to one another. ”

“ You see old men without an ounce of fat on their bodies, their skin loose on their bones, wizened, their little faces wrinkled and apelike, with hair thin and grey; and they totter under their burdens to the edge of the grave in which at last they shall have rest. And still the coolies go, not exactly running, but not walking either, sidling quickly, with their eyes on the ground to choose the spot to place their feet, and on their faces a strained, anxious expression. ”

“ Towards you in their great straw hats, like the hat of love-sick Pierrot, but with a huge brim, come a string of coolies, lolloping along, bent forward a little under the weight of the great bales of cotton that they carry. The rain plasters their blue clothes, so thin and ragged, against their bodies. The broken stones of the causeway are slippery, and with toil you pick your muddy way. ”

“ Five days in a sampan were needed to reach the Upper Yangtze. For an uneasy moment you asked yourself whether trains and steamships were as necessary to the conduct of life as we who use them every day consider; for here, a million persons throve, married, begat their kind, and died; here a million persons were busily occupied with commerce, art, and thought.
And here lived a philosopher of repute the desire to see whom had been to me one of the incentives of a somewhat arduous journey. He was the greatest authority in China on the Confucian learning. ”

“ We are a defenceless horde and you can blow us into eternity. You have shattered the dream of our philosophers that the world could be governed by the power of law and order. And now you are teaching our young men your secret. You have thrust your hideous inventions upon us. Do you not know that we have a genius for mechanics? Do you not know that there are in this country four hundred millions of the most practical and industrious people in the world? ”

“ I was interested in this because it bore out an opinion of mine that philosophy is an affair of character rather than of logic: the philosopher believes not according to evidence, but according to his own temperament; and his thinking merely serves to make reasonable what his instinct regards as true. If Confucianism gained so firm a hold on the Chinese it is because it explained and expressed them as no other system of thought could do. ”

“ A peasant, thigh deep in water, ploughs his field with a plough as primitive as those his fathers have used for forty mortal centuries. The water buffalo splashes sinister through the mud and his cynical eyes seem to ask what end has been served by this unending toil. An old woman goes by in her blue smock and short blue trousers, on bound feet, and she supports her unsteady steps with a long staff. Two fat Chinese in chairs pass you, and passing stare at you with curious yet listless [87] eyes. Everyone you see is an incident, however trivial, sufficient to arouse your fancy for an instant ”

“ The mud walls were covered with dirty whitewash, here and there worn away, and all round on wooden pallets were straw beds for the coolies who were the inn's habitual guests. The sun alone enabled you to support the melancholy squalor. It shone through the latticed window, a beam of golden light, and threw on the trodden earth of the floor a pattern of an intricate and splendid richness. ”