Summary

Portrait of Wallace Irwin Wallace Irwin The Love Sonnets of a Car Conductor

This Cycle may be taken, perhaps, not so much as a living record of human experience as a lofty parable sounding the key-note of all human life. Gill the Grip is the Iago, the Mefistofele, the symbolism of a malevolent destiny. Maxy the Firebug may be the Poet's interpretation of the Social Unrest, of Doubt, of progressive irresponsibility. Would it be going too far, then, to say that Pansy stands to us as the symbol of Pan-girlism—as an almost Anacreontic yearning for the type?
Source: Gutenberg

Portrait of Wallace Irwin Wallace Irwin The Love Sonnets of a Car Conductor

Science may conquer the stars, but it does nothing by jumps. As a Scientist, as well as a philosopher, I am accustomed to reaching the Transcendental by winding paths. It is characteristic of me that I should have consented to preface this remarkable Sonnet Cycle only after supreme deliberation, and that I should at last have determined to speak in behalf of the Car Conductor for the following reasons:
1. As a Botanist I am fascinated by the phenomenon of Genius flourishing from bud to flower, from flower to seed.
Source: Gutenberg

Portrait of Wallace Irwin Wallace Irwin The Love Sonnets of a Car Conductor

XV The Sinful Rich go whizzing by all day In wealthy wagons, looking pert and swell; They get the ride, the Commons get the smell And full of thought and microbes wend their way. Maxy the Firebug says that Mammon's sway Is stringing Virtue to a fare-ye-well, But wait, he says, till Labor with a yell Soaks Mam a crack forninst the vertebray. The Rich, says Max, are simply dips and yeggs That lift the headlight beads from yaps like us; They pinch your pie, sew up our ham and eggs And leave us minus all that they are plus.
Source: Gutenberg

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