Summary

Portrait of Walter Hillier Walter Hillier The Chinese language and how to learn it (1921)

Excellence in composition, therefore, consists in arranging anew orthodox phrases which are to be found in the ancient classics or in the formidable list of historical or poetical works that the scholar delights to study. Each branch, moreover, of Chinese literature possesses a peculiar style of its own. Any one who could read official Chinese, of which the Peking Gazette may be taken as a typical exemplar, would not necessarily be able to understand an historical work, while books on philosophy, on Buddhism or on Taoism would be almost unintelligible without a special study of their style.
Source: Wikisource

Portrait of Walter Hillier Walter Hillier The Chinese language and how to learn it (1921)

It is evident, therefore, that tones are a very important element in the spoken language, indeed an all important one, and neglect or misuse of these tones will land the speaker in many and sometimes awkward, difficulties. A fluent and correct speaker will play upon these tones as the fingers of a violinist play up and down the strings of his instrument, and a false tone, apart from conveying a false meaning, is like a false note in music. This tonic system plays a part also in Chinese composition.
Source: Wikisource

Portrait of Walter Hillier Walter Hillier The Chinese language and how to learn it (1921)

Some Chinese sounds are incapable of production by any alphabetical combinations, and nothing but oral demonstration will make them clear, but, happily, these are few, and most of them can be spelt in such a way that any one should be able to pronounce them fairly correctly. If it were a question merely of inventing a vocabulary for the use of the English student alone the matter would be comparatively simple, but what has been aimed at by those who have tried to work out a system of spelling is to produce something of a cosmopolitan nature that shall be understood by all.
Source: Wikisource

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