William James Stillman

“ His intaglio ceased to be ornamentation, and passed into the category of ideal work. And there are intaglii of Greek workmanship which are as lovely as it is possible to conceive anything,—all the spirit and perfect proportion of the antique sculpture concentrated in an oval, an inch by three quarters of an inch, executed with a delicacy which defies the naked eye to measure it!
A critical study of gems is an affair of years; yet, so far as all principles of design are concerned or characteristics of art, we may always consider the intaglii with the sculpture of the same epoch. ”

“ There were confederation without over-centralization; states side by side, without mutual hate or subjugation; wealth and power, without the corruption that destroys nations; and military prowess, without the unscrupulous ambition that cannot live and let live. They were instructors of Rome in all that Rome knew of civilization; many times masters of the imperial city, without ever envying it its existence ”

“ If the perfections of our Scarabæus give us a glimpse of Etruscan existence, we may perhaps gather from the gems some notion of what Rome was, beyond what historians have written, or the ruins of her palaces and tombs have shown. The quantity of intaglii alone, such as they are, which are dug up in the gardens and vineyards around Rome every year, is incredible to one who has not watched day by day the acquisitions of the antiquity shops, and the stalls of the Piazza Navona. Very few of them are of any artistic value ”

“ A little shade darker in iniquity is the selling of stones entirely recut from broken larger ones, so that, though the stone remains identical, the workman puts a new face on it; and even this the antiquary will sell you as a veritable antique. Then there is the unmitigated swindle of the pure imitation, oftentimes so perfect that the most experienced judges are deceived. There is in fact no absolute certainty in the matter. There are antiques of which no doubt can be entertained, with characteristics utterly inimitable ”

“ Of it all, we have only the grave into which art sought to carry an immortality of its own, and from which religion strove to banish the drear gloom of the uncertain by surrounding the dead with all the objects familiar to their daily lives and the incidents which were the most antagonistic in impression to the darkness and silence to which they abandoned the beloved ones only when conquest and destruction had concealed the portals of their tombs, and ancestor and descendant had yielded to the same oblivion. ”

“ I remember a necklace in the Campana museum, which, in a large number of unmistakable Scarabæi, had one for which I would not have paid two scudi on the Piazza Navona, so like the modern imitations did it look. The only reliable criterion for the majority of cases is the spirit of the design in the intaglio. Castellani says: "Antique Etruscan, Greek, or Roman Scarabæi are at present very rare, and their high price tempts the moderns to counterfeit them. And to such a perfection have they carried their business that it is with difficulty the best-trained eye can discover the fraud. ”

“ The best ornamentation is that which is farthest from imitation; and that, in gold-work, is the Etruscan. As we had occasion to say in the preceding pages, the Scarabæus marks the difference between the moralizing Egyptian mind and the beauty-loving Etruscan. And if we might point a moral in an article defiant of morals, it would be in comparing the black, blood-stained history of Egypt with the fair record of the Larthian people. Beauty is its own moral and its own redeemer, and a mind that loves it may be corrupted to decay, but cannot be led into brutality or sunk into obscurity. ”

“ Some of these are the perfection of intaglio: nothing in the gem-cutting of the Greeks could be more exquisite and purely beautiful than they are as intaglio. Yet, excellent as is the work, there is an essential difference between the Etruscan and Greek design, which no similarity of workmanship will ever conceal,—a difference as radical as that between Roman and Greek sculpture, and still more marked. ”

“ What the wealth and luxuriousness of those cities, now more deeply buried than Thebes or Nineveh, must have been, we can only imagine from the few traditions preserved by Roman historians,—grudging the glory of rivals so long and masters so often, though finally subjects of the irresistible force of crescent empire,—and from the gold-work known after so many centuries of sepulture. ”

“ Of the common kind, again, there are those which, cut with a certain conventionalism in design and a facility in execution which incessant repetition only can produce, cannot be imitated except at a cost utterly beyond their market value. Like the designs on the Etruscan vases, their main excellence is, that, being so good, they should be done so facilely. An imitator loses the rapidity and spirit of execution. The mass of imitations are of things only tolerably good, and of things whose characteristics are in the execution merely, as in the Roman and conventional Etruscan work. ”

“ Be content with a single one! If you once get into comparison, you have abandoned yourself to the witchery of the unknown and unattainable perfection.
Engraved gems or simple intaglios in pietra dura seem to belong to Greek art rather than Etruscan. The style of finishing the stone was more in accordance with the simple and elegant ideal of the Greek intellect. The intaglio was all to the Greek artist, and anything more was labor worse than wasted. ”

“ If your fancy finds any satisfaction in Scarabæi ed altri, let your acquisition stop with the first example,—take a sample brick from antiquity. If you once commence collecting them in ever so small a way, or with any excuse to your own pocket, you will find yourself subject to a fascination more irresistible than the love of money,—more absorbing than the search for the philosopher's stone. ”

“ The Etruscan, in its highest artistic development, preserves something of an Oriental fantasy and want of repose, and invariably falls short of the dignified and purely imaginative character of the Greek. It makes no exception to this rule, that there are Etruscan Scarabæi which have purely Greek intaglii, since we know that there were Greek artists of the highest rank among those who emigrated to Etruria, and that it was customary for one workman to make the Scarabæus, and another the incision. ”

“ It is not art at all, it is only writing; and the transfer of the Scarabæus from Egypt to Etruria only forms another evidence of the inevitable antithesis existing between art and record. The identical types which on the Nile told the same story age after age, unchanging in their form as in their meaning, once in the hands of the Etruscan, entered on a course of refinement and artistic development into objects of beauty ”

“ And in this connection I must say, that I consider that, an undeveloped people not being awake to fine distinctions, and being predisposed to despise everything differing from themselves, we must attribute all the respect paid the Scarabæus pilularius to the advice and influence of their wise men, who, so long as they were wise, would persuade them to protect every useful creature. ”

“ It is not here the place to develop the moral of Etruscan history, or to investigate the political and social condition of the Etruscan people; though the links we have of the former, and the glimpses of the latter seen athwart the prejudices and mortified pride of the Roman historians, give the subject a fascinating interest. It is said that when the Roman armies invaded the territory of the northern Etruscan states, and their commander asked the name of the first city they approached, the unsuspecting subject of the Lars replied only,—not understanding the barbarian language,—Χαιρε, "Hail!" ”

“ Then, in the fifteenth century, came other and better lapidaries, and of better taste, many of whose Scarabæi are of great value, though still not difficult to distinguish from the Etruscan, when we study the design. The modern demand for them has produced innumerable impositions in the shape of copies,—poor Scarabæi retouched to fine ones, still bearing the marks of antiquity, and others whose under surface, being originally left blank, is engraved by the hired workmen of the modern Roman antiquaries, by whom they are sold as guaranteed antiques. ”

“ The great inequality between the power of design and the executive skill and taste in mere ornamentation in the characteristic Etruscan work is comparable only to those Eastern products which I have before alluded to,—the Persian fabrics. The animals are drawn without any regard to anatomical or optical truth,—foreshortening taken by a royal road, and grace thrown overboard. The hog is generally shown as flatted out, the legs appearing two on each side of the body; and the members of all animals are stowed away with more direct reference to composition of masses than of animal organisms. ”

“ No matter what price you offer, they never accept it until they have tried the value it has for others. It is only when a stone has such great value that it justifies paying a price passing the imagination of the peasant, that the buyer can profit by buying from the first hand.
Of the finer kind of intaglii, there is little danger of buying counterfeits, since the art of gem-cutting is too low now to permit of such counterfeits as might be mistaken for first-rate antiques. ”

“ Secondly, the mechanical instincts of the Scarabæus pilularius must have always excited the interest of the geometers and mechanists at a time when geometry and mechanics were known in their simplest elements mainly, and considered the marvellous secrets of creation. The absolute rotundity of the pedifacture of the insect must have seemed the result of a sense little less than preternatural, to people who were not accustomed to reason away all recognition of the preternatural. ”

“ Having proposed to ourselves, then, to restore as far as we could, and, so to speak, to renew the antique gold-work, we first set ourselves to search for the methods which the ancients must have used. ”

“ It is not the stone, not the polish, nor even the incision, but a peculiar smoothness and morbidezza, which distinguishes the antique; and which only they who for many years have studied such kinds of work, or who, either in the way of trade or otherwise, have seen and handled many of the gems, are able to perceive. ”

“ The vice of all modern ornamentation is, that it insists on mixing natural history with decoration. It cannot avoid preaching, as fairy stories now-a-days cannot stop without a moral for good children, and consequently is, like them, stupid and unreal. ”

“ Unable to distinguish in quality, and knowing that certain stones have brought such and such prices, they refuse to sell any for a smaller price, but retain them until the next festa, when they carry them in succession to all the mercanti di pietre in Rome, to see which will offer the highest price,—a kind of vendue which evinces greater trade-cleverness than the Italians get credit for, and which has the effect of bringing the dealers at once to their best terms. ”

“ They seem, indeed, to have been a more absolutely artistic people even than the Greeks, in whom art was exalted by a certain union with intellectual culture, the result of which was, of course, a larger growth and nobler ideal than the more ornamental Etrurian mind could attain. This points to an Eastern origin more in kinship with the Persian than the Greek, and to-day only illustrated by the Persian ornamentation. ”

“ From this arises, perhaps, the something spontaneous, the freedom and artistic neglect which is seen in the works of the ancients, which appear all made by hands guided by thought, while the moderns impress, I would say, a certain perfect exactness on the things produced by them, which reveals the work of mechanical implements, and shows a want of the creative thought of the artist. ”

“ The common people have always a profound contempt for the beings who do their dirty work, and contempt with them goes before enmity. In this the Egyptians would only show that they were a Southern people, and so had much dirty work to do. ”

“ Finding himself free on the level sand, he commenced to roll and round it, kneading the irregularities back and dragging upwards at the same time with his fore feet, so that in less than a minute after his liberation he had worked his lump into a close approximation to globular form, and had started on his voyage ”

“ I one day remarked to a peasant who brought me some intaglii to sell, that the ancients must have worn a great many rings; and he replied, that in his country the richer people wore so many that they had to hold their hands up to keep them from falling off. ”