William James Stillman

Biographical details

Portrait of William James Stillman William James Stillman,  The Autobiography of a Journalist…

“ Hardly had I become interested in my drawing when Ruskin decided to move on to Chamounix, where we might hope to get really to work. When the first sublime and overpowering impression of Chamounix and the majesty and gloom of its narrow valley wore off, it began to oppress me, and long before we got away I felt as if I were in a huge grave. The geological interest was great, and the sublimity overpowering. But to my mind sublimity does not suffice for art; the beautiful must predominate, and of the beautiful there is little in the valley. ”
Source: Gutenberg

Portrait of William James Stillman William James Stillman,  The Autobiography of a Journalist…

“ Watching for deer from a treetop one day, in broad sunlight, and looking over a mountain range, along the crest of which were pointed firs and long level ridges of rock in irregular alternation, the eerie feeling suddenly came over me, and the mountain-top seemed a city with spires and walls, and I heard bands of music, and then hunting-horns coming down with the wind, and there was a perfect illusion of the sound of a hunting party hurrying down into the valley, which gave me a positive panic, as if I were being pursued and must run. ”
Source: Gutenberg

Portrait of William James Stillman William James Stillman,  The Atlantic Monthly (1866)

“ It is hard to define a "civilization"; and we talk of the ages of gold and of bronze as if we knew the history of the whole world and its generations; but to me the few glimpses I get through the crevices of the ages that hide Etruria, as the hills of the Black Forest hide the fairies from the German child, indicate an age more fitting the epithet Golden than any since, and a nation the like of which, as of the good-folk, we shall see no more on earth. ”
Source: Wikisource

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