William Pitt Scargill

Summary

William Pitt Scargill Penelope: or, Love's Labour Lost… (1828)

As the mind and feelings of Penelope Primrose were impelled in different directions by her natural constitution, and by her accidental situation, a greater degree of interest was thus attached to her character. There is in our nature a feeling, from whatever source arising, which loves not monotony, but delights in contrast. The tear which is always flowing moves not our sympathy so strongly as that which struggles through a smile; and the sun never shines so sweetly as when it gleams through the drops of an April shower.
Source: Gutenberg

William Pitt Scargill Penelope: or, Love's Labour Lost… (1828)

But Penelope knew better than to suppose that any advantage could arise from a direct opposition to the wishes of a patron. Repugnant as she was to the proposal, she dared not to whisper the least syllable of contradiction, on the ground of dislike, to the profession; but after a blush of mortification, which the Countess mistook for a symptom of diffidence, she replied:
“I fear that your ladyship is disposed to estimate rather too highly the humble talents I may possess, and that I shall not answer the expectations which so distinguished patronage might raise.”
Source: Gutenberg

William Pitt Scargill Penelope: or, Love's Labour Lost… (1828)

But we are not of sufficient authority to make precedents. Let it be explicitly said, that Penelope Primrose exceeded the middle stature, that her dark blue eyes were shaded by a deep and graceful fringe, that her complexion was somewhat too pale for beauty, but that its paleness was not perceptible as a defect whenever a smile illumined her countenance, and developed the dimples that lurked in her cheek and under-lip.
Source: Gutenberg

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