William Pitt Scargill

Summary

William Pitt Scargill,  Penelope: or, Love's Labour Lost… (1828)

“ As the mind and feelings of Penelope Primrose were impelled in different directions by her natural constitution, and by her accidental situation, a greater degree of interest was thus attached to her character. There is in our nature a feeling, from whatever source arising, which loves not monotony, but delights in contrast. The tear which is always flowing moves not our sympathy so strongly as that which struggles through a smile; and the sun never shines so sweetly as when it gleams through the drops of an April shower. ”
Source: Gutenberg

William Pitt Scargill,  Penelope: or, Love's Labour Lost… (1828)

“ But Penelope knew better than to suppose that any advantage could arise from a direct opposition to the wishes of a patron. Repugnant as she was to the proposal, she dared not to whisper the least syllable of contradiction, on the ground of dislike, to the profession; but after a blush of mortification, which the Countess mistook for a symptom of diffidence, she replied:
“I fear that your ladyship is disposed to estimate rather too highly the humble talents I may possess, and that I shall not answer the expectations which so distinguished patronage might raise.”
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Source: Gutenberg

William Pitt Scargill,  Penelope: or, Love's Labour Lost… (1828)

“ But we are not of sufficient authority to make precedents. Let it be explicitly said, that Penelope Primrose exceeded the middle stature, that her dark blue eyes were shaded by a deep and graceful fringe, that her complexion was somewhat too pale for beauty, but that its paleness was not perceptible as a defect whenever a smile illumined her countenance, and developed the dimples that lurked in her cheek and under-lip. ”
Source: Gutenberg

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