Summary

Portrait of Émile Zola Émile Zola Abbe Mouret's Transgression

And M. Zola’s Paradou is a flight of fancy, even as its mistress, the fair, loving, guileless Albine, whose smiles and whose tears alike go to our hearts, is the daughter of imagination. She is a flower—the very flower of life’s youth—in the midst of all the blossoms of her garden. She unfolds to life and to love even as they unfold; she loves rapturously even as they do under the sun and the azure; and she dies with them when the sun’s caress is gone and the chill of winter has fallen.
Source: Gutenberg

Portrait of Émile Zola Émile Zola Abbe Mouret's Transgression

The next morning Serge barricaded himself in his room. The perfume from the garden irritated him. He drew the calico curtains closely across the window to shut out the sight of the park. Perhaps he thought he might recover all his old serenity and calm if he shut himself off from that greenery, whose shade sent such passionate thrills quivering through him.
During the long hours they spent together, Albine and he never now spoke of the rocks or the streams, the trees or the sky. The Paradou might no longer have been in existence. They strove to forget it.
Source: Gutenberg

Portrait of Émile Zola Émile Zola Abbe Mouret's Transgression

I could see you distinctly, I could hear you calling me, I went towards you in the light of a smile over scattered rose-petals. And nought else did I feel or think, I lived but just enough to be a flower at your feet. No one should grow up. You would have around you none but fair young heads, a crowd of children who would love you with pure hands, unsullied lips, tender limbs, stainless as if fresh from a bath of milk. To kiss a child’s cheek is to kiss its soul. A child alone can say your name without befouling it. In later years our lips grow tainted and reek of our passions.
Source: Gutenberg

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