Max Pemberton

Max Pemberton

Summary

Portrait of Max Pemberton Max Pemberton Christine of the hills (1897)

Rarely, since he had found her upon the Jajce road, and had carried her from her new life, had pity mitigated his anger or curbed his purpose. He saw that it lay in his power to make her suffer as he had suffered. She had won the love of a man—she had now won his hate. He believed nothing of her account of Count Paul and his home. His mind had been trained in cunning and in doubt of men. Christine had found a lover—that was the lie which steeled his will, and shut his eyes to the anguish of the woman who followed him uncomplainingly.
Source: Gutenberg

Portrait of Max Pemberton Max Pemberton Christine of the hills (1897)

But it was not so decreed; love was yet to be born in her heart. And that love was not for Ugo Klun.
“It was growing late in the afternoon when these pretty fugitives struck the mountains which lay between them and their freedom. The road had carried them over the stony plain which borders the seashore; but, turning as the sun began to set, they came upon a narrow bridle-track winding about one of the sandy hills which here stand up boldly to the gates of the Adriatic. At that time the wonder and the fear had passed from little Christine’s face, and she had become silent and brooding.
Source: Gutenberg

Portrait of Max Pemberton Max Pemberton Christine of the hills (1897)

Oh, Pietro is a wise-head; he has great eyes and great ears and great hands like yours, Herr Count. When he opens his mouth it is just like looking into [106] a pumpkin. He talks to his fiddle and his fiddle talks to him. It is good to see Pietro at the feast, Herr Count—such notes out of his mouth—oh, they are like cannon on the sea; such anger—oh, it is something to watch Pietro beat his fiddle when he is angry. And he laughs and nods his head all the time, and says: “What music I make! What injustice that I do not play at Vienna!”
Source: Gutenberg

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