Bijou

Definition and stakes

1911 Encyclopædia Britannica (1911)

“ The jeweller, the enameller and the artist bestowed infinite pains upon what was quite as often a delicate bijou as a piece of utility; fops and great personages possessed numbers of snuff-boxes, rich and more ordinary, their selection being regulated by their dress and by the relative splendour of the occasion. From the cheapest wood that was suitable—at one time potato-pulp was extensively used—to a frame of gold encased with diamonds, a great variety of materials was employed. ”
Source: Wikisource

Portrait of James Glaisher James Glaisher,  Art-Studies from Nature, as Applied to Design

“ With rule and compass we can excel her in accuracy—with reason, experience, and remembrance, we can improve upon her labours in our artificial productions; but, notwithstanding the many exquisite objects of art produced by our modern jewellers, there is by far too much conventionality and routine in the more ordinary bijouterie of every-day wear ”
Source: Gutenberg

George Francis White,  Views in India, chiefly among the Himalaya Mountains (1838)

“ The women wore silver and gold ornaments across the forehead, rich and fantastical, but not particularly becoming; and those who were wealthy enough, loaded themselves with a great variety of tasteless incumbrances—chains and bells of precious metals, a profusion of ear-rings, and silver fringes pendent over the eyes, while their bracelets, necklaces, amulets, nose rings, finger rings, and clasps of various kinds of coloured stones, were innumerable. ”
Source: Wikisource

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