Bouvard

Definition and stakes

Portrait of Gustave Flaubert Gustave Flaubert,  Bouvard et Pécuchet (1881)

“ The sub-prefect did not forget to cite that charming witticism of a clever man: "Let Messieurs the Assassins begin!"
Bouvard was astonished at the contrast between the surroundings and the remarks that reached his ears; for one would think that the language used should always harmonise with the environment, and that lofty ceilings should be made for great thoughts.218 Nevertheless, he was flushed at dessert, and saw the fruit-dishes as if through a fog. Bordeaux, Burgundy, and Malaga were amongst the wines sent round.
”
Source: Gutenberg

Portrait of Gustave Flaubert Gustave Flaubert,  Bouvard et Pécuchet (1881)

“ They traced on its surface a scarlet cloak and two angels' wings. All the rest was lost under the leads which held in equilibrium the numerous breakages in the glass. The day was declining; the shadows were lengthening; Madame Bordin had become grave.
Bouvard withdrew, and presently reappeared muffled up in a woollen wrapper, then knelt down at the prie-dieu with his elbows out, his face in his hands, the light of the sun falling on his bald patch; and he was conscious of this effect, for he said:
"Don't I look like a monk of the Middle Ages?"
”
Source: Gutenberg

Saint-Juirs,  The Strand Magazine (1892)

“ Saying which Monsieur Bouvard turned his face to the wall, grumbling to himself—
"Was ever such a thing seen!—rousing a man at such an hour!—breaking his sleep, only to pour into his ears such a pack of nonsense!—"
Suddenly Monsieur Bouvard sprang to a sitting posture in his bed.
Anatole had possessed himself the professor's trombone, into which he was blowing like a deaf man, and sending from the tortured instrument sounds of indescribable detestableness.
"My presentation trombone!—given me by my pupils! Let that instrument alone, Monsieur!"
”
Source: Wikisource

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