Egyptian antiquities

“ In very dark halls the force of colour is carried as far as it will go, because it would not otherwise have been visible by the flickering light of lamps and torches. On outer wall- surfaces and on pylon-fronts, it was as vivid as in the darkest depths of excavated catacombs; and this because, no matter how extreme it might be, the sun would subdue its splendour. But in half-lighted places, such as the porticoes of temples and the ante-chambers of tombs, colour is so dealt with as to be soft and discreet. In a word, painting was in Egypt the mere humble servant of architecture and sculpture. ”

“ It has also been observed by an accomplished scholar, who is much attached to the pursuit of Egyptian antiquities, that, according to the testimony of Herodotus, all the kings of this dynasty [Pg 33] were buried at Saïs, and that we must either reject this evidence, or admit that neither Psammis nor Necho can be the personage here represented. We may, however, hope, that future researches will furnish us with materials, that may enable us to remove this and many other difficulties, which at present envelope the chronology of the kings of Egypt. ”

“ The play of light upon the surface may at first prevent the eye from apprehending the fineness of the work; but, seen under favourable circumstances, the details of knee and chest, of shoulder and face, prove to be no less subtly rendered in granite than in limestone. Excess of polish has no more spoiled the statues of Ancient Egypt than it spoiled those of the sculptors of the Italian Renaissance.
A sandstone or limestone statue would have been deemed imperfect if left to show the colour of the stone in which it was cut, and was painted from head to foot. ”

“ The wonders of Egyptian archæology are the latest and most precious harvest of scholars and explorers. From Belzoni to Flinders Petrie there has been a succession of discoveries in the valley of the Nile with which it is hard for ordinary students to keep pace. Our knowledge of Egyptian life to-day is far clearer and more complete than Bentley's or Porson's acquaintance with the antiquities of Greece and Rome, and we have far more complete access to the treasures of Egyptian literature than Dante or Thomas Aquinas had to the remains of Attic poets and mystics. ”

“ Inscriptions, bas-reliefs, paintings, such as we are accustomed to find everywhere in Egypt, are all wanting; and yet these bare walls produce as great an impression upon the spectator as the most richly decorated temples of Thebes. Not only grandeur but sublimity has been achieved in the mere juxtaposition of blocks of granite and alabaster, by means of purity of line and exactness of proportion. ”

“ The selling of spurious Egyptian antiquities is not confined to Egypt alone. London, New York, Paris, and even Algiers, are also the hunting-ground of the makers of imitations, who often make large sums of money by imposing upon those who do not possess the knowledge requisite to detect the fraud. ”

“ Under the Ptolemies and the Caesars, figures and hieroglyphs became so crowded that the stone on which they are sculptured seems to be lost under the masses of ornament with which it is charged. We recognise at a glance that these scenes are not placed at random. They follow in sequence, are interlinked, and form as it were a great mystic book in which the official relations between gods and men, as well as between men and gods, are clearly set forth for such as are skilled to read them. The temple was built in the likeness of the world, as the world was known to the Egyptians. ”

“ Although the discovery of the general import of the hieroglyphics has by no means excited any great sensation in this country, yet the activity of the various collectors resident in Egypt seems to have been in some measure stimulated by it. Important additions have been made, or are about to be made, to the Egyptian department of the British Museum; and in France, the magnificent liberality of the Government, together with the insatiable curiosity of some affluent individuals, has held out ample encouragement to the commercial antiquarian. ”

“ If some were capable of doing good work, the greater number were mere craftsmen; and we must be careful not to ascribe awkward manipulation, or lack of teaching, to the timidity of archaism. The works of the primitive dynasties yet sleep undiscovered beneath seventy feet of sand at the foot of the Sphinx; those of the historic dynasties are daily exhumed from the depths of the neighbouring tombs. These have not yielded Egyptian art as a whole; but they have familiarised us with one of its schools--the school of Memphis. ”

“ To certain classes of objects, such as scarabs, blue glazed faïence, linen sheets, mummy bandages and garments, terracotta vases and vessels, alabaster jars, etc., special rooms are devoted. The antiquities which, although found in Egypt, are certainly not of Egyptian manufacture, e.g., Greek and Phœnician glass, Greek statues, tablets inscribed in cuneiform from Tel el-Amarna, etc., are arranged in groups in rooms set apart for them ”

“ INTRODUCTORY There are a great many people in the world who are interested in Egypt, in its antiquities, and in the unfolding of its pages of ancient history; a number collect specimens of old Egyptian art, such as scarabs, pottery, small statues, &c., and others, when in Egypt, buy them as presents for friends at home. ”

“ In the Gizeh Museum is a life-size head, produced from a block of black and red granite in less than a fortnight by one of the best forgers in Luxor. I have no doubt that the ancient Egyptians worked in precisely the same way, and mastered the hardest stones by the use of iron. Practice soon taught them methods by which their labour might be lightened, and their tools made to yield results as delicate and subtle as those which we achieve with our own. ”

“ Some years ago the authorities at the Museum in Cairo would give their decision regarding antiquities shown to them by visitors, but now that is all changed, and they refuse to express an opinion. The Egyptians, however, still loudly protest that they are willing to have their scarabs submitted to the Museum authorities, knowing perfectly well that the experts there will give no opinion at all ”

“ They are put to flight in the bas-reliefs by the mere sight of a bow and arrows, just as a company of rooks is put to flight nowadays by the sight of a gun. The Egyptians were especially familiar with the ways of animals and birds, and reproduced them with marvellous exactness. The habit of minutely observing minor facts became instinctive, and it informed their most trifling works with that air of reality which strikes us so forcibly at the present day. ”

“ The ancient sites are claimed by the Government, and the Service of Antiquities has an annual grant of large dimensions and employs many European and native officials. All provinces are included in its survey, and no excavations may take place without its permission; and this is granted to responsible persons only, and on the terms that half of the antiquities discovered shall become the property of the Egyptian Government, the other half going to the finders. Sir Gaston Maspero, director of the Museum at Cairo, has made many brilliant contributions to Egyptian archæology. ”

“ In certain pieces belonging to various museums, such as the statues of Sepa and his wife at the Louvre, and the bas-reliefs of the tomb of Khabiûsokarî at Gizeh, critics have mistakenly recognised the faltering first efforts of an unskilled people. The stiffness of attitude and gesture, the exaggerated squareness of the shoulders, the line of green paint under the eyes,--in a word, all those characteristics which are quoted as signs of extreme antiquity, are found in certain monuments of {209} the Fifth and Sixth Dynasties. ”

“ Khargeh is an oasis in the Libyan Desert, lying more than one hundred miles to the west of the Nile. In the ancient days the Romans had an outpost there. Now it is the scene of the labours of a land company, and the Egyptian Government sometimes banishes habitual criminals and bad characters to this place.
On another occasion, when I was purchasing spurious antiquities, the seller produced a well-made statue of Isis with the infant Horus. ”

“ Painted bas-reliefs, statues of kings and private persons, colossi, sphinxes, may be counted by hundreds between the mouths of the Nile and the fourth cataract. The old sacerdotal cities, Memphis, Thebes, Abydos, are naturally the richest; but so great was the impetus given to art, that even remote provincial towns, such as Abû Simbel, Redesîyeh, and Mesheikh, have their chefs-d'oeuvre, like the great cities. ”

“ Notwithstanding the fact that Egyptology is now recognised as a science, an exact and communicable knowledge of whose existence and scope it behoves all modern culture to take cognisance, this work of M. Maspero still remains the Handbook of Egyptian Archaeology. But Egyptology is as yet in its infancy; whatever their age, Egyptologists will long die young. Every year, almost every month, fresh material for the study is found, fresh light is thrown upon it by the progress of excavation, exploration, and research. ”

“ But the blocks and beams which the Egyptians had at command were seldom large enough for a statue. The Wooden Man himself, though but half life-size, consists of a number of pieces held together by square pegs. Hence, wood-carvers were wont to treat their subjects upon such a scale as admitted of their being cut in one block, and the statues of olden time became statuettes under the Theban dynasties. Art lost nothing by the reduction, and more than one of these little figures is comparable to the finest works of the ancient empire. ”

“ Plate III, No. 6 represents a Nubian of an early dynasty. There is a cartouche and an inscription on the base. It stood in the window of a shop in Luxor in company with several other wooden figures. The dealer told me a long story about his brother having died, and how he had taken over the antiquities belonging to him, and was selling them at a very cheap rate. The man assured me that the statue was a genuine antiquity, but I had my doubts about it. ”

“ Wherever I have bared the foundations of the walls, I can testify that they have not shifted.
The system of construction in force among the ancient Egyptians resembles in many respects that of the Greeks. The stones are often placed together with dry joints, and without the employment of any binding contrivance, the masons relying on the mere weight of the materials to keep them in place. Sometimes they are held together by metal cramps, or sometimes--as in the temple of Seti I., at Abydos--by dovetails of sycamore wood bearing the cartouche of the founder. ”

“ The Egyptians who are engaged in the 123making of spurious antiquities are now specialising. One man in Luxor has perfected the manufacture of glazed or faience vessels. Another at Qeneh has developed the cutting and inscription of stone scarabs. At Aboutig a forger makes woodwork and carved ivories, and somewhere in Egypt they are making stone vessels of all periods, apparently on a steam lathe, but copying the ancient forms with great success. A dealer in Cairo once showed me an enormous head of Amenemhat III., which he said was offered to him as coming from Tanis. ”

“ It has, indeed, been asserted, that the Egyptians were not in the habit of deifying any mortal persons; but the inscription of Rosetta is by no means the only one in which the sovereigns of Egypt are inserted in the number of its deities ”

“ It must be remembered that most of the servants in Egypt are Berberines, from Nubia, and as the cultivable land up the Nile is in places reduced to a few hundred yards, and travelling by boat is cheap, it will be seen that the men can easily get to know each other well even though miles of the Nile waterway may separate the villages.
But the “up-river man” is not the only itinerant seller of antiquities. A donkey boy may have found out that he can make more money by selling antīcas to his patrons than he can by running after his donkey, even though the bakshīsh be included ”

“ I have treated briefly of the Noble Arts; it remains to say something of the Industrial Arts. All classes of society in Egypt were, from an early period, imbued with the love of luxury, and with a taste for the beautiful. Living or dead, the Egyptian desired to have jewels and costly amulets upon his person, and to be surrounded by choice furniture and elegant utensils. ”

“ Fig 283.--Gold worker.
With these exceptions, they made the same use of the precious metals as we do ourselves. We gild the crosses and cupolas of our churches; they covered the doors of their temples, the lower part of their wall-surfaces, certain bas-reliefs, pyramidions of obelisks, and even whole obelisks, with plates of gold. The obelisks of Queen Hatshepsût at Karnak were coated with electrum. "They were visible from both banks of the Nile, and when the sun rose between them as he came up from the heavenly horizon, they flooded the two Egypts with their dazzling rays." ”

“ It was not for want of material that the art of modelling and baking clays failed to be as fully developed in Egypt as in Greece, The valley of the {255} Nile is rich in a fine and ductile potter's clay, with which the happiest results might have been achieved, had the native craftsman taken the trouble to prepare it with due care. Metals and hard stone were, however, always preferred for objects of luxury ”