English garden

Definition and stakes

Portrait of John Dando Sedding John Dando Sedding,  Garden-Craft Old and New

“ The English garden, as I have just tried to sketch it, was not born yesterday, the bombastic child of a landscape-gardener's recipe. It epitomises a nation's instincts in garden-craft; it is the slow result of old affection for, old wonder at, beauty in forms, colours, tones; old enthusiasm for green turf, wild flower, and forest tree. Take it at its best, it records the matured taste of a people of Nature-readers, Nature-lovers: it is that which experience has proved to be in most accord with the character and climate of the country, and the genius of the race. ”
Source: Gutenberg

Portrait of John Dando Sedding John Dando Sedding,  Garden-Craft Old and New

“ For an English garden is at once stately and homely—homely before all things. Like all works of Art it is conventionally treated, and its design conscious and deliberate. But the convention is broad, dignified, quiet, homogeneous, suiting alike the characteristics of the country and of the people for whom it is made. Compared with this, the foreign garden must be allowed to be richer in provocation; there is distinctly more fancy in its conceits, and its style is more absolute and circumspect than the English. ”
Source: Gutenberg

Viscountess Frances Garnet Wolseley,  Gardening for women (1908)

“ A well-known French horticulturist, director of many parks, once gave most flattering praise to an English garden. He called it “un jardin intime.” These three words sum up what most of us wish our gardens to be.
We bring to them, from other countries, plants that recall pleasant memories. As we watch these growing happily in our herbaceous borders, thoughts come to us of those who gave them, of happy meetings, and unforgotten scenes. In England we make real friends of our gardens; we confide many secrets to their safe keeping.
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Source: Gutenberg

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