Erard

Definition and stakes

Portrait of Robert Herrick Robert Herrick,  The gospel of freedom (1898)

“ He is a worthless young man. I told you five years ago, ‘Sebastian, you are perverting that young man. Give him a place in the brick company, and let him earn his salt, as you have done, as John did.’ But you were weak and amiable, and the Erard kind get around you.”
Miss Anthon smiled at the idea of Erard in bricks. Moreover, wasn’t all this talk about Mr. Simeon Erard’s manner of livelihood rather vulgar and impertinent? Here in Paris it was easy to slip away from her harsh creed of common prejudices.
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Source: Gutenberg

Portrait of Robert Herrick Robert Herrick,  The gospel of freedom (1898)

“ Anthon remarked, as Erard disappeared with his sister. Miss Anthon was saying to her companion: “You have made me see so much!”
“Yes, you can see, when you are told to look,” Erard assented quizzically. “If you can keep on using your eyes and not your ‘intuitions,’ you may know something about pictures some day.”
“If you would—” she began humbly.
“Stuff!” Erard cut her short irritably. “I might teach to-day what I should deny to-morrow. Use your own wits, and hold your tongue. There is nothing so wonderful about art—in certain aspects, no Eleusinian mystery.”
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Source: Gutenberg

Portrait of Robert Herrick Robert Herrick,  The gospel of freedom (1898)

“ In a moment she gave a little low laugh of scorn. “No, you really aren’t worth tragic displays, Mr. Simeon Erard! Did you ever dream that there are some sensations beyond you?”
“For example?” he walked slowly towards her.
[246] “For example,” she looked down at him. She was now thoroughly reckless and maddened with a cold passion. Her arms, half opened, pressed convulsively together, slowly, involuntarily. Erard blanched, trembled, half moved, and then paused. She swept by him, frightened and aghast. For the first time in her life she was conscious of feebleness: she was not sure of herself.
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Source: Gutenberg

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