Kolya

Definition and stakes

Evgeny Nikolayevich Chirikov,  ../../ (1911)

“ Mikheyevna conquered in the end. Kolya emerged from the wardrobe red as a peony, angry and abashed. His hair stuck out like the quills of a porcupine, and his eyes flashed like a wolf's. Natasha was the fault of it all. She had discovered and betrayed him, and that's why Kolya was angrier with her than with anyone else.
"Don't touch me," he shouted, when Natasha took him by the elbow to drag him from the wardrobe.
"Mama has already given you one slapping to-day. Do you want another?" asked Natasha, straightening the new dress hanging in the wardrobe.
”
Source: Wikisource

Portrait of A. I. Kuprin A. I. Kuprin,  Yama [The Pit], a Novel in Three Parts

“ And Kolya had reflected: “Papa looks like a turkey.” Had not Kolya—partly through the fondness for pranks and the mischievousness natural to all boys, partly through tedium—accidentally discovered in an unlocked drawer of papa’s writing table an enormous collection of cards, whereon was represented just that which shop clerks call the crowning of love, and worldly nincompoops—the unearthly passion? ”
Source: Gutenberg

Portrait of Fyodor Dostoyevsky Fyodor Dostoyevsky,  Crime and Punishment

“ Sonia, Sonia! Where is she? She is crying too! What’s the matter with you all? Kolya, Lida, where are you going?” she cried suddenly in alarm. “Oh, silly children! Kolya, Lida, where are they off to?...”
Kolya and Lida, scared out of their wits by the crowd, and their mother’s mad pranks, suddenly seized each other by the hand, and ran off at the sight of the policeman who wanted to take them away somewhere. Weeping and wailing, poor Katerina Ivanovna ran after them. She was a piteous and unseemly spectacle, as she ran, weeping and panting for breath. Sonia and Polenka rushed after them.
”
Source: Gutenberg

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