Marya Dmitrievna

Definition and stakes

Portrait of Leo Tolstoy Leo Tolstoy War and Peace (1952)

Márya Dmítrievna paused at the door. Tall and stout, holding high her fifty-year-old head with its gray curls, she stood surveying the guests, and leisurely arranged her wide sleeves as if rolling them up. Márya Dmítrievna always spoke in Russian.
“Health and happiness to her whose name day we are keeping and to her children,” she said, in her loud, full-toned voice which drowned all others. “Well, you old sinner,” she went on, turning to the count who was kissing her hand, “you’re feeling dull in Moscow, I daresay? Nowhere to hunt with your dogs? But what is to be done, old man?
Source: Wikisource

Portrait of Leo Tolstoy Leo Tolstoy Hadji Murad — 24

It was Peter Nikolaevich Kamenev, an officer who had formerly served with the major and whom Marya Dmitrievna therefore knew.
"Is it you, Peter Nikolaevich?" said she, addressing him.
"It's me," said Kamenev. "ah, Butler, how d'you do? ... Not asleep yet? Having a walk with Marya Dmitrievna! You'd better look out or the major will give it you. ... Where is he?"
"why, there. ... Listen!" replied Marya Dmitrievna pointing in the direction whence came the sounds of a tulumbas and songs. "They're on the spree."
"Why? Are your people having a spree on their own?"
Source: Wikisource

Portrait of Fyodor Dostoyevsky Fyodor Dostoyevsky The Possessed (The Devils)

When he had kissed her hand, he scanned the whole room once more, and moving, as before, without haste went towards Marya Timofyevna. It is very difficult to describe people’s countenances at certain moments. I remember, for instance, that Marya Timofyevna, breathless with fear, rose to her feet to meet him and clasped her hands before her, as though beseeching him. And at the same time I remember the frantic ecstasy which almost distorted her face—an ecstasy almost too great for any human being to bear.
Source: Gutenberg

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