Portici

“ Holding his dead hand in hers, Portia, with steady steps, walks beside the rough bier, and so the sad procession winds its solemn way up to the old Court, with Sir Mark at its head and Dicky Browne at his feet, and Portia, with bare uplifted head and wrapt eyes, still clinging fondly to the poor clay, so well beloved by all.
Silently, with breaking hearts, they carry him into the grand old hall, and lay him reverently upon the marble flooring. Silently, they gaze upon his unmarred beauty. Not a sound—not a sob—disturbs the sacred stillness. ”

“ Portia, when she returned, was in that happy temper of mind which never fails to attend the consciousness of having performed a good action; her cheerful spirits enjoyed everything she saw: the moon never seemed to shine so bright before; and when that pleasant moon was hid behind a cloud, then a light which she saw from her house at Belmont as well pleased her charmed fancy, and she said to Nerissa: 'That light we see is burning in my hall; how far that little candle throws its beams, so shines a good deed in a naughty world' ”

“ I come now to that capacity for warm and generous affection, that tenderness of heart, which [Pg 65] render Portia not less lovable as a woman, than admirable for her mental endowments. The affections are to the intellect, what the forge is to the metal; it is they which temper and shape it to all good purposes, and soften, strengthen, and purify it. What an exquisite stroke of judgment in the poet, to make the mutual passion of Portia and Bassanio, though unacknowledged to each other, anterior to the opening of the play! ”

“ Portia, always with his hand in hers, falls upon her knees, and, pressing it against her breast, raises her eyes devoutly heavenward. One by one, they all withdraw—Sir Mark, to break the terrible news to the old man. She is alone with her dead! With a little sigh she crouches close to him, and lays her cheek against his. The icy contact conveys no terror to her mind. She does not shrink from him, but softly, tenderly, caresses him from time to time, and yet he moves not, nor wakens into life beneath her gentle touch. ”

“ He completed his portrait of his ideal heroine Portia, the noblest that he ever depicted, and found to his surprise that quite another type of woman was forming itself in his mind. Powerful outside influences mingled their impressions with the long-stifled hunger in his heart. He was not in love with his hostess, but he was starving for love, and each book that he read, every object of art that he looked upon, and nature itself was steeped with the charm and passion of Italy. ”

“ Just as Portia ascends the stone steps that lead to the house, Fabian, by a gentle touch, detains her.
"Remember always this," he said slowly and with an attempt at calmness that is infinitely sad, "that I do not blame you."
Tears spring to her eyes. She is at least generous, and now a great longing to be able to believe in him, to be able to assure him of her unbounded faith in his honor possesses her. But, alas! faith is neither to be invoked nor purchased, and to lie to him, and tell him a soothing falsehood against her conscience would be worse than useless. ”

“ And thou, dear Portia,
Wilt thou remember me? That thought, alas!
Dissolves my soul in weakness.—
O, to be spared, if it were possible,
This stroke of agony! Is it not possible,
That I might yet—Almighty God forgive me!
Weak thoughts will lurk in the devoted heart,
But not be cherish'd there. I may not offer
Aught short of all to thee.———
Farewell, farewell! sweet Portia, fare thee well! ”

“ In fact, I can scarce conceive a greater contrast than between the vivacity of Portia and the vivacity of Beatrice. Portia, with all her airy brilliance, is supremely soft and dignified; every thing she says or does, displays her capability for profound thought and feeling, as well as her lively and romantic disposition; and as I have seen in an Italian garden a fountain flinging round its wreaths of showery light, while the many-colored Iris hung brooding above it, in its calm and soul-felt glory ”

“ She is longing to say, "Yet you see I kept you from dinner to-night," but after a moment's reflection leaves it unsaid.
"I hope the country will not disappoint you," he says, after a slight pause. "It is unwise to begin by expecting too much."
"How can it disappoint?" says Portia, with some intensity. She says nothing more, but she lifts her lovely face to the starry sky, and puts out her hands with a faint gesture, fraught with admiration, towards the heavy flowers, the distant lake, the statues half hidden by the drooping shrubs, and the moonlight sleeping upon all! ”

“ Even as she looks the image fades—the "fleecy cloud" (jealous, perhaps, of the beauty of the divine Artemis, and of Portia's open admiration of her) has floated over her again, and driven her, for a little moment, into positive obscurity.
The path grows dark, the lake loses its color. Portia, with a sigh, moves on, confessing to herself the mutability of all things, and pushing aside some low-lying branches of a heavily-scented shrub, finds herself face to face with a tall young man, who, apparently, is as lost in wonder at her appearance as she is at his! ”

“ Portia has risen from her low seat, and forgetful or regardless of comment, is gazing with large, white eyes at the old man. Sir Christopher has grasped Mark Gore's arm with almost painful force, and is trembling so violently that Gore places his other arm gently round him, and keeps it there as a support. All, more or less, are agitated. Fabian alone makes no movement; with a face white to the very lips, he [273] stands with his back against the mantelpiece, facing Slyme, so motionless that he might be a figure carved in marble. ”

“ Others may be like them, but they cannot be quite the same."
Portia makes no reply. The moonlight is full upon him, and she can see that his lips have lost their hardness, and are as full of melancholy as his eyes. She is looking curiously at him, regarding him perhaps in the light of a study—he is [29] looking, not at her at all, but at something that surely has no place in this quiet garden, lying so calm and peaceful beneath the light of heaven.
A terrible expression, that is despair and grief commingled, covers his face. ”

“ Bassanio confessed to Portia that he had no fortune, and that his high birth and noble ancestry was all that he could boast of; she, who loved him for his worthy qualities, and had riches enough not to regard wealth in a husband, answered with a graceful modesty, that she would wish herself a thousand times more fair, and ten thousand times more rich, to be more worthy of him ”

“ This trial of all suitors had been ordered by Portia's father ere he died, so that only a worthy and true man might win his daughter. Some suitors choose the gold, some the silver casket, but all, princes, barons, counts, and dukes, alike choose wrong.
At length Bassanio comes. Already he loves Portia and she loves him. There is no need of any trail of the caskets. Yet it must be. Her father's will must be obeyed. But what if he choose wrong. That is Portia's fear.
"I pray you, tarry; pause a day or two
Before you hazard; for, in choosing wrong,
I lose your company,"
she says. ”

“ The water of the fountain is bright as silver, great patches of purest moonlight lying on it as calm as though in death. The water-lilies tremble faintly, as it might be in terror of the little gods who are leaning over them. A shadow from the trees in the background falls athwart a crouching Venus. Some pretty, low chairs are standing scattered about, and Portia sinking into one, the others all follow her example, and seating themselves on chairs on the soft sward begin to enjoy themselves. ”

“ Her womanly soul has grasped the truth, that the girl wants his resting-place to be made softer by some gift of hers; and when her task is completed, and the men, gathering up their load, silently prepare to move with it towards the old Court, Portia turns upon this woman a smile so sweet, so full of gratitude, that she breaks into bitter weeping, and, flinging her apron over her honest, kindly, sunburnt face, runs hurriedly away.
"She was his lass. Poor soul! poor soul!" says another woman in a hushed tone, and with deep pathos. ”

“ For many days his heart has been "darkened by her shadow," and to-night—when all his world was abroad, and he alone was excluded from prostrating himself at her shrine—terrible despair had come to lodge with him, and grief, and passionate protest.
Stooping over him, Portia gazes on him long and earnestly, and then, as no dew lies upon the grass, she sits down beside him, and taking her knees into her embrace, stays there silent but close to him, her eyes fixed upon the "patient stars," that are at last growing pale with thought of the coming morn. ”

“ So still it is, so calm, that one can almost hear the love-song the languid breeze is whispering to the swaying boughs.
Across the table come the dreamy sighs of night, and sink into Portia's heart, as she sits silent, pleased, listening to all around, yet a little grieved in that her host is strangely silent, too, and looks as one might who is striving to hear the sound of a distant footstep, that comes not ever.
"He is always that way when Fabian absents himself," says Dicky Browne, with so little preface that Portia starts. "He adores the ground he walks on, and all that sort of thing. ”

“ Cease; here comes Portia, with a careless face:
She knows not yet the happiness that waits her,
ORCERES.
Who brings she with her thus, as if compell'd
By playful force?
SULPICIUS.
'T is her Numidian Page; a cunning imp,
Who must be woo'd to do the thing he's proud of.
Enter Portia, dragging Syphax after her, speaking as she enters.
PORTIA.
Come in, deceitful thing!—I know thee well;
With all thy sly affected bashfulness,
Thou 'rt bold enough to sing in Cesar's court,
With the whole senate present. (To Orceres.) ”

“ Portia was as grieved as Bassanio to hear of the danger which threatened his friend.
“First,” she said, “take me to church and make me your wife, and then go to Venice at once to help your friend. You shall take with you money enough to pay his debt twenty times over.”
But when her newly-made husband had gone, Portia went after him, and arrived in Venice disguised as a lawyer, and with an introduction from a celebrated lawyer Bellario, whom the Duke of Venice had called in to decide the legal questions raised by Shylock's claim to a pound of Antonio's flesh. ”

“ Let me go home; send the deed after me, and I will sign over half my riches to my daughter." "Get thee gone, then," said the duke, "and sign it; and if you repent your cruelty and turn Christian, the state will forgive you the fine of the other half of your riches."
The duke now released Anthonio, and dismissed the court. He then highly praised the wisdom and ingenuity of the young counsellor, and invited him home to dinner. Portia, who meant to return to Belmont before her husband, replied, "I humbly thank your grace, but I must away directly." ”

“ There is an innate harmony in Portia's soul; but it is full-toned, complex, and woven of strongly contrasted elements, so that it requires some imagination to represent it to ourselves. There is something in the harmonious subtlety of her physiognomy which reminds us of Leonardo's female heads. Dignity and tenderness, the power to command and to obey, acuteness such as thrives in courts, and simple womanliness, an almost inflexible seriousness and an almost mischievous gaiety, are here cunningly commingled and combined. ”

“ The next suitor to put in an appearance was the Prince of Arragon, but he was no more fortunate than the Prince of Morocco. His choice fell on the silver casket, but for all his reward he found the portrait of a blinking idiot. Portia gladly saw him depart, and at the same moment arrived a messenger to announce the coming of a young Venetian lord. Some instinct made Portia guess who was approaching, and she was not mistaken; it was indeed the lord Bassanio. ”

“ And now Portia and Nerissa entered the house, and dressing themselves in their own apparel, they awaited the arrival of their husbands, who soon followed them with Antonio; and Bassanio presenting his dear friend to the lady Portia, the congratulations and welcomings of that lady were hardly over, when they perceived Nerissa and her husband quarrelling in a comer of the room. "A quarrel already?" said Portia. "What is the matter?" Gratiano replied, "Lady, it is about a paltry gilt ring that Nerissa gave me, with words upon it like the poetry on a cutler's knife; Love me, and leave me not." ”

“ In what a very little space, indeed, lie all our happy moments; even the most successful of us can count them one by [105] one, as it might be, on the fingers of one hand; and how tardy, how wearying, are those where sorrow, and trouble, and despair hold their own.
"Ce qui nous charme s'en va, et ce qui fait peine reste. La rose vit une heure, et le cyprès cent ans."
Portia has gone into an inner room, and now returns with a basin and a sponge. ”

“ It was ordained that as Ophelia she should commence her long and brilliant series of Shakespearean impersonations with Henry Irving at the Lyceum, but it was as Portia at the Bancrofts' Prince of Wales' Theatre that she first won all our hearts, from the scholarly critic of our greatest poet, to those who only regard "The Merchant of Venice" as an interesting play that they pay their money to see. Portia will, I think, ever sparkle as the brightest gem in her well bejewelled crown. ”

“ As usual, he attacks his favorite author, and, as usual also, gives to that good man's words a meaning unknown to him.
Portia, raising her head, meets Fabian's eyes regarding her earnestly, and then and there colors hotly; there is no earthly reason why she should change color, yet she does so unmistakably, nay, painfully. She is feeling nervous and unstrung, and—not very well to-night, and even this light mention of the word love has driven all the blood from her heart to her cheeks. ”