Ramesseum

Definition and stakes

Portrait of Amelia B. Edwards Amelia B. Edwards,  A thousand miles up the Nile (1888)

“ Of all Theban ruins, the Ramesseum is the most cheerful. Drenched in sunshine, the warm limestone of which it is built seems to have mellowed and turned golden with time. No walls inclose it. No towering pylons overshadow it. It stands high, and the air circulates freely among those simple and beautiful columns. There are not many Egyptian ruins in which one can talk and be merry; but in the Ramesseum one may thoroughly enjoy the passing hour. ”
Source: Gutenberg

G. Maspero,  Manual of Egyptian Archaeology and Guide to the Study of Antiquities in Egypt

“ Observing the variety of subjects treated on the walls of any one temple, one might at first be tempted to think that the decoration does not form a connected whole, and that, although many series of scenes must undoubtedly contain the development of an historic idea or a religious dogma, yet that others are merely strung together without any necessary link. At Luxor, and again at the Ramesseum, each face of the pylon is {101} a battle- field on which may be studied, almost day for day, the campaign of Rameses II. against the Kheta, which took place in the fifth year of his reign. ”
Source: Gutenberg

Portrait of A. D. F. Hamlin A. D. F. Hamlin,  A Text-Book of the History of Architecture

“ The plan of the Ramesseum, with its sanctuary, hypostyle hall, and forecourts, its pylons and obelisks, is shown in Figure 8, and may be compared with those of other temples given on pp. 17 and 18. That of Medinet Abou resembles it closely. The Ramesseum occupies a rectangle of 590 × 182 feet; the temple of Medinet Abou measures 500 × 160 feet, not counting the extreme width of the entrance pylons. The temple of Hatasu at Deir-el-Bahari is partly excavated and partly structural, a model which is also followed on a smaller scale in several lesser tombs. Such an edifice is called a hemispeos. ”
Source: Gutenberg

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