Tamara

Definition and stakes

Portrait of A. I. Kuprin A. I. Kuprin,  Yama [The Pit], a Novel in Three Parts

“ Tamara with difficulty sought out a bald, ancient old man, grown over as though with bog moss by entangled gray bristles; with little rheumy eyes and an enormous, reddish, dark-blue granulous nose, on the manner of a cookie.
He unlocked the enormous hanging lock, pushed away the bolt and opened the rusty, singing door. The cold, damp air together with the mixed smell of the dampness of stones, frankincense, and dead flesh breathed upon the girls. They fell back, huddling closely into a timorous flock. Tamara alone went after the watchman without wavering.
”
Source: Gutenberg

Portrait of Elinor Glyn Elinor Glyn,  His Hour

“ I feel a mad supercharge of life—an intoxication of the senses, perhaps. It has only one advantage over the champagne result. I am steady on my feet, and my voice is not thick!"
Tamara did not speak.
"I wonder what this music we shall hear will say to you. Will it make the milk and water you call blood in your veins race?—it will amuse me to see."
"I am not made for your amusement, Prince. How dare you always treat me as you do?" And Tamara drew herself up haughtily. "And if my veins contain milk and water, it is at least my own."
”
Source: Gutenberg

Portrait of Elinor Glyn Elinor Glyn,  His Hour

“ Gritzko, dear child, begone!"
And all this while, with her long eyelashes resting upon her cheek,
Tamara apparently slept peacefully on.
But when the door was safely shut and bolted, the Princess addressed her.
"You are not really asleep, Tamara, I suppose," she said. "You have heard? Is he not difficult. What is one to do with him? I can never remain angry long. Those caresses! Mon Dieu! I wish you would love each other and marry and go and live at Milasláv, and then we others might have a little peace and calm!"
"Marry him," and Tamara raised herself in bed.
”
Source: Gutenberg

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