Thomas Collins

Definition and stakes

Portrait of Leslie Stephen Leslie Stephen,  Dictionary of National Biography… (1887)

“ Moy Thomas's edition of his works.
Johnson's affection for Collins is shown in the life. Collins's amiability, and the charm of a conversation enlivened by wide knowledge of French, Spanish, and Italian, as well as the learned languages, are gratefully commemorated by the biographer, whose prejudices prevented any cordial appreciation of the poetical merits of his friend. Collins belonged to the new school, represented in criticism and history by his friends the Wartons, who showed the love of the romantic element in literature which was afterwards to become fashionable.
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Source: Wikisource

Sidney Lee,  Dictionary of National Biography… (1887)

“ In 1615 Collins wrote a pastoral poem named 'The Teares of Loue, or Cupid's Progresse. Together with the complaint of the sorrowfull Shepheardesse fayre (but unfortunate) Candida, deploring the death of her deare-lo'd Coravin, a late living (and an ever to be lamented) Shepheard. In a passionate pastorall Elegie. Composed by Thomas Collins,' &c. London (by George Purslowe) , 1615. The poet Coravin, whose death Collins laments, has not been identified. The poem is full of conceits, but at its close Sidney, Spenser, and Drayton are eulogised, and allusion is made to Lodge. Jo. B [eaumont?] ”
Source: Wikisource

Various,  Encyclopaedia Britannica, 11th Edition…

“ A more important if less original factor in that movement was Collins’s severe critic Thomas Gray, a man of the widest curiosities of his time, in whom every attribute of the poet to which scholarship, taste and refinement are contributory may be found to the full, but in whom the strong creative energy is fatally lacking—despite the fact that he wrote a string of “divine truisms” in his Elegy, which has given to multitudes more of the exquisite pleasure of poetry than any other single piece in the English language. ”
Source: Gutenberg

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