Capital (architecture)

Definition and stakes

Charles Herbert Moore,  Development and Character of Gothic Architecture (1890)

“ In capitals and bases a subtle sense of function and of beauty is always conspicuous, though these forms also are of endless variety. The profile of the capital is made up of lines that are adapted in all their parts, as they are not in any other style, at once to the shaft which the capital crowns, and to the load which it carries. ”
Source: Wikisource

W. H. Leeds,  Rudimentary Architecture for the Use of Beginners

“ Capitals are just as legitimate subjects for the exercise of taste and invention as any thing else in decorative design. The capital is only an ornamental head to the column, and therefore admits of being as freely designed as any other piece of ornament, on the conditions of its being accordant in character with the rest of the Order, and of forming an agreeable transition from the shaft of the column to the architrave.
Caryatides.—Anthropostylar pillars or human figures (usually female ones) employed instead of columns to support an entablature.
”
Source: Gutenberg

W. H. Leeds,  Rudimentary Architecture for the Use of Beginners

“ What remains to be observed is, that owing to its complexity, that capital admits of very great diversity of character and decoration. It is sometimes without, and sometimes has a necking to it, which may either be plain or decorated, as may best accord with the particular expression, either as to richness or quiet simplicity, which is aimed at as the characteristic of the entire design. The capital may be modified almost infinitely in its proportions ”
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature