Cithern

Definition and stakes

Kathleen Schlesinger and Alfred J. Hipkins,  1911 Encyclopædia Britannica (1911)

“ The confusion doubtless arose from the fact that from the 11th century cithara is glossed hearpan in Anglo-Saxon MSS., a word which, like citharisare in medieval Latin, referred to plucking or twanging of strings in contradistinction to those instruments vibrated by means of the bow. In Irish of the 8th and 9th centuries (Zeuss) cithara is always glossed by “crot.” The modern Welsh “crwth” is not a harp but a “rotta” (see Crowd) . An old Welsh harp, not triple strung, exists, which bears a great resemblance to the Irish harp in neck, soundboard and soundholes. ”
Source: Wikisource

1911 Encyclopædia Britannica, Volume 6… (1911)

“ The popularity of the cittern was at its height in England and Germany during the 16th and 17th centuries. The cittern consisted of a pear-shaped body similar to that of the lute but with a flat back and sound-board joined by ribs. The neck was provided with a fretted fingerboard; the head was curved and surmounted by a grotesque head of a woman or of an animal. [1] The strings were of wire in pairs of unisons, known as courses, usually four in number in England. ”
Source: Wikisource

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