Cithara

Definition and stakes

Various,  Encyclopaedia Britannica, 11th Edition…

“ CITHARA (Assyrian chetarah; Gr. κιθάρα; Lat. cithara; perhaps Heb. kinura, kinnor) , one of the most ancient stringed instruments, traced back to 1700 B.C. among the Semitic races, in Egypt, Assyria, Asia Minor, Greece and the Roman empire, whence the use of it spread over Europe. The main feature of the Greek kithara, its shallow sound-chest, being the most important part of it, is also that in which developments are most noticeable ”
Source: Gutenberg

Various,  Encyclopaedia Britannica, 11th Edition…

“ The confusion doubtless arose from the fact that from the 11th century cithara is glossed hearpan in Anglo-Saxon MSS., a word which, like citharisare in medieval Latin, referred to plucking or twanging of strings in contradistinction to those instruments vibrated by means of the bow. In Irish of the 8th and 9th centuries (Zeuss) cithara is always glossed by “crot.” The modern Welsh “crwth” is not a harp but a “rotta” (see Crowd) . ”
Source: Gutenberg

Kathleen Schlesinger,  1911 Encyclopædia Britannica (1911)

“ The rotta or improved cithara had a body either rectangular with the corners rounded, or guitar-shaped with incurvations, back and sound-board being nearly or quite flat, joined as in the cithara by ribs or sides. This rotta must be reckoned among the early ancestors of the violin before the advent of the bow; it was known both as rotta and cithara, and with a neck added it became the guitar-fiddle. (2) The tortoise or lyre chrotta consisted of a protuberant, very convex back cut out of a block of wood, to which was glued a flat sound-board, at first like the lyre, without intermediary ribs. ”
Source: Wikisource

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