Himation

Definition and stakes

Samuel Birch,  History of Ancient Pottery: Greek…

“ Thus, all the deities are draped, and their costume differs in no respect from that worn by mortals; all alike wear the chiton, himation, or chlamys, and ornamentation of the drapery with embroidered patterns is no mark of distinction. It is only as the art advances in the B.F. period that the necessity for differentiation makes itself felt, and each deity becomes individualised by some peculiarity of costume or special attribute which makes it possible to recognise them without difficulty. ”
Source: Gutenberg

Caroline Dale Snedeker,  The Perilous Seat (1923)

“ It was so steep that no buildings could cling. It was given over to wild olives and laurel trees with gnarled roots, and to huge rocks, the gift of earthquakes from the cliffs above. Theria pushed doggedly down through it, tearing her hands, bruising her feet. At last, after a special tumble, she kirtled up her long chiton, pulling it up through her belt, took off her himation and formed it into a long roll which she tied about her waist. She was amazed at the ease this gave her. No wonder the Goddess Artemis could leap after the stag in this her special costume. ”
Source: Gutenberg

Hugo Blümner,  The Home Life of the Ancient Greeks

“ These are the dress of common life—the chiton and the himation, but so put on that both arms are covered and only the head and feet seen. Youths were probably clad in the chlamys, and the Spartans preferred to clothe their dead in the scarlet military cloak, while at Athens coloured garments were sometimes used instead of white. On the dead man’s head they put a wreath of real flowers—whatever the season might supply—or else laurel, olive, or ivy. ”
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature