Gladiatoria

Definition and stakes

Samuel Birch,  History of Ancient Pottery: Greek…

“ An almost inordinate proportion relate to the now popular gladiatorial shows, and many others deal with the events of the circus and arena. Of gladiatorial subjects there are three principal varieties, which occur again and again on lamps of all shapes and periods with little alteration. [2955] One class represents a single gladiator in the characteristic armour, with visored helmet, greaves, and arm-guards, sword and shield [2956] ; the next represents a combat of two (Plate LXV. fig. 5) , in which the one is usually worsted and falls at the other’s feet, his shield on the ground beside him. ”
Source: Gutenberg

S. Baring-Gould,  The Lives of the Saints, Volume 01…

“ For centuries the wholesale murders of the gladiatorial shows had lasted through the Roman empire. Human beings, in the prime of youth and health, captives or slaves, condemned malefactors, and even free-born men, who hired themselves out to death, had been trained to destroy each other in the amphitheatre for the amusement, not merely of the Roman mob, but of the Roman ladies. Thousands, sometimes in a single day, had been
"Butchered to make a Roman holiday."
The training of gladiators had become a science.
”
Source: Gutenberg

John Charles Tarver,  Tiberius the Tyrant (1902)

“ So far were gladiatorial combats from being one of the hardships imposed by slavery, that we have repeated references in the early Imperial period to the misconduct of Roman knights, and even Senators, who exhibited themselves in the arena. A skilled gladiator risked his life, as does a skilled toreador, and he enjoyed the same measure of popular favour; there were statues of gladiators as well as of schoolmasters.
The tendency of the Empire was to break down the barriers between the free man and the slave
”
Source: Gutenberg

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