Charles Chipiez, A history of art in Chaldæa & Assyria…
“ With a single ramp we get a tower whose four faces are repetitions of each other, but here we have a true façade, on which a happy contrast is established between the unbroken stages and those upon which the ramps appear—between oblique lines and lines parallel with the soil. The building gains in repose and solidity, and its true scale becomes more evident than when the eye is led insensibly from base to summit by a monotonous spiral. ”
